On Pantha Du Prince And Bell Laboratory’s Elements Of Light
by Thomas Brett
“I think techno music at the moment is just an infrastructure. Basically, it’s not a musical term anymore. It used to be more like straight, technical funk. Nowadays, it is more of an infrastructure where you have certain beat patterns that you can call techno music. But in the end, it’s a social and economic infrastructure. The name ‘techno’ does not have anything to do with content anymore. It can be anything, from soul jazz to new music, to electro-acoustic music. It’s not the description for a musical genre anymore. It’s the description of a structure within which you move around. And it’s dance music.” - Hendrik Weber (aka Pantha du Prince)
The German techno DJ and Producer Hendrik Weber (aka Pantha du Prince) is quite into the sound of bells. On his 2010 recording Black Noise you can hear bell sounds on the tracks “Welt Am Draht”
and “Bohemian Forest.”
Since then, Weber has kicked his interest in bells up a few significant notches. On his recent recording Elements Of Light, he collaborates with The Bell Laboratory, a collective of musicians who play a range of tuned percussion instruments including a huge 50-bell carillon. The 17-minute track “Spectral Split” showcases the electronic music meets ancient bells and percussion collaboration. Once the piece gets going you can hear the full mix: the lumbering carillon bells, marimba patterns deeply indebted to Steve Reich (the composer may demand royalties here), steel pan, tubular bells, crotales, a 4/4 techno pulse, and a slow-moving synth bassline. Harmonically speaking, “Spectral Split” doesn’t travel far, instead building musical interest through repetition, addition and subtraction of its parts.
What I find interesting about this music is its attempt to engage in a dialog with the languages of classical minimalism and contemporary electronic dance music of the minimal techno variety. In this respect, “Spectral Split” is a unique beast–the musical result of instruments and sounds wandering out of their usual stylistic frames. Does it work? Yes, it does work in its own way. And while the music is perhaps limited either by the carillon themselves (their tuning, and by how fast they can be played) or by Weber’s musical setting of them (I keep waiting for a dramatic harmonic shift that never arrives), the composer and his collaborators deserve credit for making everything groove and hum.
Here is the lusciously filmed official promotional video for Elements Of Light and the track “Spectral Split”: