brettworks

thinking through music, sound and culture

Category: writing

On The Nature Of Blogs II: Matching Form And Content To Capture Meaning

As I have said elsewhere, practically speaking this blog is more for me than for you, sure, and tries to ask questions about musical things as I encounter them. And by things I mean: musical sounds, instruments, artists, aesthetics, technologies, codes and systems of signification, compositional techniques and performance practices, and so on.

But metaphorically speaking, this blog is like a tuning fork, trying to get its forms and contents in tune with one another–to get them in sympathetic vibration, so to speak. It’s not that the topics presented aren’t of vital interest, because they are–at least to me. But what’s equally at stake is how well-proportioned the posts are in relation to the material about which they speak. This is a pursuit and a discipline that I find fascinating because, depending on what I’m talking about, it’s possible to say too little or too much, miss the right tone, harp on insignificant details while missing the main point, come across as haughty or too neutral, and on and on. Sometimes the subject matter benefits from the inclusion of photos, animation, or video clips in the post, yet at some point there’s always a prose description that’s a compression and distillation of what it all seems to mean to me, right here and right now.

And saying what something means
in just the right way
can make all the difference.

In Praise Of Slowness: On Writing On Cellphones

It stuck me recently that I might say something about how the blog posts at bretttworks.com are written. So here goes:

I write them on my phone.

***

Most of the writing happens in those moments that could otherwise be wasted moments–while waiting for the subway, standing in line somewhere, sitting on the subway, sitting in the pit. I’m often outside while I write, often under neon lights, often just waiting for something else to happen. Sometimes I even write while walking–yes, making me one of those people you really hate seeing on the street: eyes glued to the glowing orb in their hands, a body not looking where it’s going. (But in my defense: it’s usually late at night while I’m walking home on deserted streets, you see …)

The point is, I usually write the posts either while waiting for transit or while in transit, and what makes this possible in the first place is the fact of the phone itself. Let’s unpack this a little more by asking a question: What does it mean to write on a phone?

For one thing, the screen is quite small and the letter keys even smaller. This makes whatever I’m writing literally feel and look, well, quite tiny. No matter how expansive I hope the thought might be, its material expression is, for the moment, just tiny text on a tiny two-inch screen. And this is comforting to me. I like it because the micro-smallness of everything creates a kind of intimacy. It feels like writing in a diary–albeit one with a bright screen and a perpetual Internet connection!

The tinyness of the phone’s screen and keypad has another, perhaps more important effect: it slows me down. It’s really hard to write fast on the phone because you’re reduced to one-finger typing (or in my case: a left thumb and a right index finger). Trying to type fast while being constrained by the phone leads to missed keys and letters, which in turn leads to the phone’s strange auto-correct kicking in. In that sentence before last, for instance, I was offered “wired” instead of “write” and then, in the next sentence, “steam” instead of my intended “strange”. (And just now, “intense” for “intended”!) Dealing with this further slows me down and frustrates me, sure, but in the process of backing up for a moment–”of” not “if backing up”!–to correct the auto-correcting, I buy myself a few seconds that I have come to believe are used on some level as time to think about the next sentence, the next thought.

Writing on the phone then, seems to slow thoughts down to the glacial pace of one letter at a time, one auto-corrected word at a time, the message and message-writer having to wait for the medium to catch up. Overall this is a good thing, for me anyways. Why the rush anyway?

And of course, once I’m done, I can email the post to myself and then copy that email directly into WordPress and we’re off and running. This alone continues to impresses me: the fact that at no point does oxygen ever hit this text. It’s all digital, all virtual, but then so is almost everything else these days.

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