Resonant Thoughts: Daniel Lanois On Sampling (2016)

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“I developed this system of taking samples of already existing components and extracting them from—putting them out of sync with the track and then doctoring them externally through other boxes, maybe changing them to slow them down, and if I hit on something special then I go back in and find a spot for that special sound back into the track. It won’t work for most of the songs. I just run it randomly.”

Daniel Lanois (2016)

Resonant Thoughts: Brian Eno On Sequencing (1995)

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“When I make loops on a sequencer, I always try to play them all the way through, so I play the whole part, then I listen to it, and quite often I find a long section that I like. Loop that, cut it up so that the loop doesn’t recur regularly. The idea of always editing in straight vertical cuts is the most single annoying thing about most of that music. Because a whole part of my feeling has been to make music that is ‘unlocked.’ And all that stuff like Thursday Afternoon, Discreet Music and so on, is very deliberately that: music where the elements float separately from one another.” 

Brian Eno