“It was just one of the first experiments of how the people could react to […] this like 45, 50 minutes of build-ups taken from trance tracks just looped very precisely that sounds like it’s coming, but it’s always the same loop. After a while you realize that the filter is not opening, the delay is not coming. It’s not growing.
The build-up is just a breakdown, everything falls apart a bit. Then they have to take you back to the kick. I realized that it was the most interesting part in this genre with these sounds because the other parts with the kick and the drum, it’s what defines the genre. But it’s closed, the genre is defined by that so it needs to be locked in a very closed formula. But the build-up was the only part where the musician could express himself, let’s say.”
brettworks 
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