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thinking through music


  • August 13, 2026

    Resonant Thoughts: Sebastian Mallaby’s “The Infinity Machine: Demis Hassabis, DeepMind, and the Quest for Superintelligence” (2026)

    “The result confirmed the central contention in Gödel, Escher, Bach. Human intuition was not so magical after all. A machine could reproduce it with the trick of mapping one thing onto another” (147). “AI experts had long recognized that tasks that humans perform instantly and unthinkingly, such as recognizing an image, are hard to program,… Continue reading

    Resonant Thoughts
  • August 12, 2026

    Database: William Orbit On Unquantized Rhythms, Playing Stuff By Hand, The Curve

    “You can make something very unlistenable by quantizing it too much. I play a lot of stuff by hand and don’t quantize it, and very often it sounds better that way. Unquantized rhythms work better when used next to quantized rhythms and vice versa.” “Basically, you have two hands, so you’ve got ahold of two… Continue reading

    database, hand knowledge
  • August 11, 2026

    Piano Timeless (Pulse Version), At A Distance

    Continue reading

    Uncategorized
  • August 10, 2026

    Arrows of Attention: Twelve Musical Notes

    What you’re doing is important:maybe to you, maybe to others, maybe today, or one day. Music’s claim on our attention comes from its sense of urgency. The economic worth of a piece of music is a wildly inaccurate measure of its aesthetic value. Art is a gift, so what do you want to make knowing… Continue reading

    Uncategorized
  • August 7, 2026

    Listening Connections: Knowing Music

    Listening recently to three tracks by three different artists, I noticed they share a sense of knowing in their lyrics. The voices in these songs wink at us, aware that the songs’ confessions are enacting the sentiments they describe. In “Camera,” Charli xcx explains her skepticism about being a pop star: “Do I want to… Continue reading

    listening connections
  • August 6, 2026

    Curating The Week: Running And Philosophy, Writing With AI, How To Exist

    • A film about running and philosophy (whose soundtrack makes good use of silence). • An essay on why not to write with AI. “The problem with writing with A.I. is that it’s mentally enfeebling — an escalator toward a result when you really need to make a daily habit of taking the stairs. As… Continue reading

    Curating The Week
  • August 5, 2026

    Shaker

    Tensioned—inside repetition’s slipstreamsubdividing, accenting, flowingmaking rhythm palpable hand holding shakera gesture of 16th notessemiquavers stretching into years timeline is panoramahear the other soundstheir parts come and gopoints of departure and arrival they hold long tonesbut percussion dances staccatoaround the clickin headphones hear discrepancies always slightly ahead or behindthe metronome is perfectme I’m uneven still distilling… Continue reading

    Uncategorized
  • August 4, 2026

    Piano Timeless (Remodel)

    Continue reading

    Uncategorized
  • July 31, 2026

    Choral Slowdown

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    Uncategorized
  • July 30, 2026

    Accumulations (Curating The Week Over Time)

    (1 year ago) (2 years ago) (3 years ago) (4 years ago) (5 years ago) (6 years ago) (7 years ago) (8 years ago) (9 years ago) (10 years ago) (More accumulations here.) Continue reading

    Accumulations
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Resonant Thoughts: Sebastian Mallaby’s “The Infinity Machine: Demis Hassabis, DeepMind, and the Quest for Superintelligence” (2026)
  • Database: William Orbit On Unquantized Rhythms, Playing Stuff By Hand, The Curve
  • Piano Timeless (Pulse Version), At A Distance
  • Arrows of Attention: Twelve Musical Notes
  • Listening Connections: Knowing Music

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