Skip to content
    • about
    • ai in music resources
    • archives
    • art about music
    • atelier
    • books
    • brett’s sound picks
    • database (a cache of perceptions)
    • film
    • interview
    • keywords
    • music
    • thought tools
    • ventrilo-dialogues

brettworks

thinking through music


  • August 10, 2026

    Arrows of Attention: Twelve Musical Notes

    What you’re doing is important:maybe to you, maybe to others, maybe today, or one day. Music’s claim on our attention comes from its sense of urgency. The economic worth of a piece of music is a wildly inaccurate measure of its aesthetic value. Art is a gift, so what do you want to make knowing… Continue reading

    Uncategorized
  • August 7, 2026

    Listening Connections: Knowing Music

    Listening recently to three tracks by three different artists, I noticed they share a sense of knowing in their lyrics. The voices in these songs wink at us, aware that the songs’ confessions are enacting the sentiments they describe. In “Camera,” Charli xcx explains her skepticism about being a pop star: “Do I want to… Continue reading

    listening connections
  • August 6, 2026

    Curating The Week: Running And Philosophy, Writing With AI, How To Exist

    • A film about running and philosophy (whose soundtrack makes good use of silence). • An essay on why not to write with AI. “The problem with writing with A.I. is that it’s mentally enfeebling — an escalator toward a result when you really need to make a daily habit of taking the stairs. As… Continue reading

    Curating The Week
  • August 5, 2026

    Shaker

    Tensioned—inside repetition’s slipstreamsubdividing, accenting, flowingmaking rhythm palpable hand holding shakera gesture of 16th notessemiquavers stretching into years timeline is panoramahear the other soundstheir parts come and gopoints of departure and arrival they hold long tonesbut percussion dances staccatoaround the clickin headphones hear discrepancies always slightly ahead or behindthe metronome is perfectme I’m uneven still distilling… Continue reading

    Uncategorized
  • August 4, 2026

    Piano Timeless (Remodel)

    Continue reading

    Uncategorized
  • July 31, 2026

    Choral Slowdown

    Continue reading

    Uncategorized
  • July 30, 2026

    Accumulations (Curating The Week Over Time)

    (1 year ago) (2 years ago) (3 years ago) (4 years ago) (5 years ago) (6 years ago) (7 years ago) (8 years ago) (9 years ago) (10 years ago) (More accumulations here.) Continue reading

    Accumulations
  • July 29, 2026

    Musical Materials

    Pieter Gerritsz. van Roestraten, Still Life with Musical Instruments (c. 1650) A question pops up when I make music: What are my materials? It often feels like I’m lacking the sonic stuff that others surely have. Questions about materials multiply: What sounds am I using? Where are these sounds from? Are these the right sounds?… Continue reading

    essays
  • July 27, 2026

    Resonant Thoughts: John Berger’s “And Our Faces, My Heart, Brief as Photos” (2026)

    “The problem of time is like the darkness of the sky. Every event is inscribed in its own time. Events may cluster and their times overlap, but the time in common between events does not extend as law beyond the clustering” (13). “Most workers in the world carry the same physical stigma: a sign of… Continue reading

    Resonant Thoughts
    art, painting, time
  • July 25, 2026

    Brett’s Sound Picks: Michael Cloud Duguay’s “Pond 1” (2026)

    playlist Continue reading

    Brett’s Sound Picks, Uncategorized
Next Page»

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Arrows of Attention: Twelve Musical Notes
  • Listening Connections: Knowing Music
  • Curating The Week: Running And Philosophy, Writing With AI, How To Exist
  • Shaker
  • Piano Timeless (Remodel)

Subscribe To Brettworks


©

brettworks

2022, All Rights Reserved.

Blog at WordPress.com.

  • Subscribe Subscribed
    • brettworks
    • Join 760 other subscribers
    • Already have a WordPress.com account? Log in now.
    • brettworks
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar