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thinking through music


  • September 4, 2026

    Musical Ideas

    The composer John Cage once said that the problem with improvising is that musicians only play what they know and therefore “don’t arrive at any revelation that they’re unaware of.” But improvising always reveals what the musician was unaware of; in fact, that’s its power. We want to hear the surprises that fleetingly illuminate, like… Continue reading

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  • September 2, 2026

    2 September

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  • September 1, 2026

    Curating the Week: Juggling, Music Teachers, Writing, Tacit Knowledge in Research

    • An article about the cognitive benefits of juggling. “Juggling can induce neuroplasticity in the brain, resulting in structural changes and adaptations. It can act as a simple calibration system.” “It’s essential to be ‘right on that edge where it’s not quite comfortable.’” • An essay on music teachers. “Grappling with an unruly instrument and… Continue reading

    Curating The Week
    AI, education, learning, teaching, writing
  • August 28, 2026

    8000 Studies

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  • August 27, 2026

    7 August

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  • August 26, 2026

    Interior Jumble (Rhythm Remodel)

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  • August 25, 2026

    On Intuition and Technique

    Wasily Kandinsky, Improvisation 35 (1914) Music production is a back-and-forth between two ways of organizing sound. The first way is intuitive, which means making by playing, improvising, trial and error, and following whatever sounds good. The intuitive is an example of what Daniel Kahneman called System 1 thinking, which is decision-making that’s fast and instinctive.… Continue reading

    intuition, technique
  • August 24, 2026

    Curating The Week: Conducting, Thickness In Art, AI Jargon In Speech

    • An essay on conducting. “With most kinds of musical performance, the listener can sense, in their heart and their gut, how demanding the musician’s task is. To possess the infinitesimally sensitive fine motor skills required to make a violin sing, or the poise and breath control needed to coax beauty out of a trombone,… Continue reading

    Curating The Week
  • August 21, 2026

    Database: Autechre On Music That Reveals Itself By Changing Piece By Piece As It Rotates

    “I think a lot of people, when they’re constructing complex music, have this idea that for something maddeningly complex to change into something else that’s maddeningly complex you’ve got to do it suddenly. But there are millions of ways you can do it, because you can have your entire track changing piece by piece as… Continue reading

    attention, database
  • August 20, 2026

    Muted Music

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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Musical Ideas
  • 2 September
  • Curating the Week: Juggling, Music Teachers, Writing, Tacit Knowledge in Research
  • 8000 Studies
  • 7 August

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