- Curating The Week: Running And Philosophy, Writing With AI, How To Exist
- Shaker
- Piano Timeless (Remodel)
- Choral Slowdown
- Accumulations (Curating The Week Over Time)
- Musical Materials
- Resonant Thoughts: John Berger’s “And Our Faces, My Heart, Brief as Photos” (2026)
- Brett’s Sound Picks: Michael Cloud Duguay’s “Pond 1” (2026)
- Database: A.G. Cook On Total Opposite Sounds
- Resonant Thoughts: W.G. Sebald’s “The Rings of Saturn” (1995)
- Music Production Quandaries (And Solutions)
- Island of Lost Things (Remodel)
- Resonant Thoughts: Dave Eggers’ “Contrapposto: A Novel” (2026)
- Keywords: Sympathetic Resonance
- 7 June (85.5 bpm)
- (Un)Stuck
- Curating The Week: Making Early Digital Art, Mastering, AI and Ethics
- Flere
- Brett’s Sound Picks: Florent Ghys/Aphex Twin’s “Rhubarb (arr. Florent Ghys for Bass and Electronics” (2026)
- Resonant Thoughts: Cory Doctorow’s “The Reverse Centaur’s Guide to Life After AI” (2026)
- Arrows Of Attention: Musical Prompting
- Jumbled Study
- Pianola (May)
- Tibi
- Curating The Week: AI as System, AI’s Didacticism, Vermeer’s Art
- Cymbalscape
- Brett’s Sound Picks: Squarepusher’s “K8 Park” (2026)
- Resonant Thoughts: Ben Lerner’s “Transcription” (2026)
- Marimbafied 36
- Database: Wolfgang Voigt On Sampling’s Magic Momentum
- A Microphone’s Hearing, A Musician’s Listening
- Brett’s Sound Picks: Skrillex’s “Kora” (2026)
- Curating The Week: AI’s Conversation Deep Fakes, Notre-Dame’s (New) Acoustics, AI and Human Agency, AI and Creativity
- Resonant Thoughts: Paul Morley’s “A Sound Mind: How I Fell in Love with Classical Music (and Decided to Rewrite Its Entire History)” (2020)
- Database: Ital Tek on Music In a 3D Plane
- Music Without A Body
- 7 June
- Pulse (June)
- Database: Loraine James On Balancing Melody and Drums
- Verum
- Curating The Week: AI’s Tells, AI’s Uses, The Attributes Of Art
- Music’s Complex Problem
- Piano Alone
- Resonant Thoughts: John Wyre’s “Touched By Sound: A Drummer’s Journey” (2002)
- Evening Song
- Resonant Thoughts: David Epstein’s “Inside the Box: How Constraints Make Us Better” (2026)
- Curating The Week: AI Slop Prehistory, Lo-Fi Rebellion Against AI, The Attention Economy And Anxiety
- Database: Alva Noto On Production Monoculture
- Techniques: Small Windows
- In The Works: Omni (5.3.26)
- Brett’s Sound Picks: The Field’s “Now You Exist” (2026)
- Resonant Thoughts: Iain McGilchrist, The Master and His Emissary: The Divided Brain and the Making of the Western World (2019)
- 15 April
- Sonic Fictions
- Database: Mark Clifford On Squeezing The Life Out Of Equipment
- Drumming Diaries: Energies of Performance
- Brett’s Sound Picks: øjeRum’s “I (2026 remaster)”
- In The Works: 28 April
- Resonant Thoughts: John Berger’s “Permanent Red: Essays in Seeing” (1960/2025)
- Stolen Moments Are Open-Ended
- Opening (Remodel)
- Gongscapes
- Database: Annea Lockwood On Listening As Meditation
- Opening
- No. 1
- Curating The Week: Playing Mandolin, Sound Design, AI in Writing, AI’s Impact On Artists, Nature and Attention
- Techniques: Juxtaposition
- Brett’s Sound Picks: Colleen’s “Aguas abiertas” (2026)
- Resonant Thoughts: Riccardo Falcinelli’s “Chromorama: How Colour Has Changed Our Way of Seeing” (2025)
- Antiphons
- Database: Tetsu Inoue On Unexpected Rhythms And Avoiding Obvious Sounding Beats
- Same Walk, Different Music: Actress, Suzanne Ciani, “Concrète Waves London B2” (2026).
- Brett’s Sound Picks: Actress and Suzanne Ciani’s “Concrète Waves Barcelona B4” (2026)
- The Real, The Virtual, and Thinking Compositionally
- No. 6
- Art About Music: “When Is That Young Man Going Home?” (1931)
- Curating The Week: Freedom, Exceptionalism, Finishing
- Curating The Archive: Of Slow Voices (5.2.2022)
- Database: Laura Cannell On The Mechanics Of Acoustic Instruments, Improvising, And Simple Motifs
- Omni 128 bpm
- Brett’s Sound Picks: Laura Cannell’s “The Water Had Carried Her” (2026)
- Curating The Week: AI and Human Touch, AI and Writing, AI and Taste
- Marimbafied 35
- Pianola
- Tuning
- Unquantized (Remodel)
- Curating The Week: The Brand Age, Selling Out, Sync Music
- Resonant Thoughts: John Ashbery’s “A Wave” (1984)
- Art About Music: Google’s Lyria 3 (2026)
- Studio Observations: Listening To Improvisation
- Database: Shane Parish on Revoicing and the Game Of Subtraction
- Jup-8000, No. 1
- Curating The Week: Blogging, Music and Truth-Telling, Memory
- Resonant Thoughts: Daniel Poppick’s “The Copywriter” (2026)
- Brett’s Sound Picks: Shane Parish/Autechre’s “Maetl” (2026/1993)
- Aftertouch
- Database: Jennifer Loveless On The Quality Of First Takes
- Cerulean Call (Remodel)
- Curating The Week: Light, Musical Variations, DJing, Joep Beving
- Resonant Thoughts: C. Thi Nguyen, The Score (2026)
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