“I work a lot on the fragment. Even when I am in the studio, I think it is the unit of language which then develops the rest. Even in the approach to Monteverdi, I worked on the fragment, I would say even on the fragmented nature of the creative process: I worked on sound tissue sampling and processing an enormous amount of material taken from all releases, on vinyl and tape, of ‘Poppea’ that I found on e-bay and other e-commerce sites, and that I bought from consumers around the world, especially Italian. These old records, many of them damaged by time, have provided sound materials of great interest, such as glitch, skratch, krakle, on which I built the weaving of sound performance.”
brettworks 
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