brettworks

Closest at hand sound is the principle of using the instrument, device, sound, sample, or effect that is easiest to play or manipulate right here, right now. The closest at hand sound trades vagueness for specificity, grand plans for small actions, possibility for commitment. The principle was explained by pianist and composer Harold Budd as he described making do with whatever sound on whatever keyboard that caught his ear. “I just go in there and try to find something that sounds good” he said. “I couldn’t care less about what the actual parameters of the instrument I’m using are.” Closest at hand sound is an elegant solution to the question, From what materials shall we make music? To find something new, don’t travel far.