brettworks

“I love to combine synthesis and acoustic instruments in my work. There’s an incalculable beauty to an acoustic timbre’s organic quality and the human sensibility’s delicate obscurity. There’s also a component in the process of recording acoustic instruments that demands more commitment and clarity from my part, making the whole thing feel more humbling and significant. The idea of ‘the recording’ is quite different when I’ve set up the studio, borrowed microphones, and reserved time with live musicians than when I’m spending hours at my leisure on a new synth patch. There’s an implied scarcity and urgency in the former recorded sound, which might be why my latest works use so much acoustic material.”

Kali Malone