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brettworks

thinking through music


Brett’s Sound Picks

  • December 15, 2021

    Brett’s Sound Picks: Ian Hawgood And Wil Bolton’s “Emerging” (2021)

    (Playlist.) Continue reading

    Brett’s Sound Picks
  • October 14, 2021

    L’Ocelle Mare’s “Piano, Banjo, Orgue, Metronome…” (2021)

    (2021 Playlist.) Continue reading

    Brett’s Sound Picks
  • October 6, 2021

    Brett’s Sound Picks” “Spangle (Autechre Remix)” (2021)

    Continue reading

    Brett’s Sound Picks
  • September 30, 2021

    Brett’s Sound Picks: Barker’s “Maximum Utility” (2021)

    (Playlist.) Continue reading

    Brett’s Sound Picks
  • September 23, 2021

    Brett’s Sound Picks: Rival Consoles’ “Pulses Of Information” (2021)

    (Playlist.) Continue reading

    Brett’s Sound Picks
  • September 15, 2021

    Brett’s SounD PICKS: STIMMING X LAMBERT’S “NEWBORN” (2021)

    (2021 playlist.) Continue reading

    Brett’s Sound Picks
  • September 7, 2021

    Brett’s Sound Picks: Synkro’s “Agate” (2021)

    (2021 Playlist.) Continue reading

    Brett’s Sound Picks
  • September 1, 2021

    Brett’s Sound Picks: Mary Lattimore’s “We Wave From Our Boats” (2021)

    (Playlist.) Continue reading

    Brett’s Sound Picks
  • August 25, 2021

    Brett’s Sound Picks: Lee Gamble’s “Hyperpassive” (2021)

    (The 2021 Playlist.) Continue reading

    Brett’s Sound Picks, musical texture
  • August 11, 2021

    Brett’s Sound Picks: Sarah Davachi’s “Border Of Mind” (2021)

    (The 2021 Playlist.) Continue reading

    Brett’s Sound Picks
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Omni 128 bpm
  • Brett’s Sound Picks: Laura Cannell’s “The Water Had Carried Her” (2026)
  • Curating The Week: AI and Human Touch, AI and Writing, AI and Taste
  • Marimbafied 35
  • Pianola

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