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brettworks

thinking through music


Brett’s Sound Picks

  • April 29, 2025

    Brett’s Sound Picks: Disiniblud (Rachika Nayar & Nina Keith), “Blue Rags, Raging Wind” (2025)

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    Brett’s Sound Picks
  • April 23, 2025

    Brett’s Sound Picks: Walt McClements’ “A Painted Ship” (2025)

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    accordion music, Brett’s Sound Picks
  • April 19, 2025

    Brett’s Sound Picks: Arvo Pärt’s “Berliner Messe (Version for Mixed Choir and String Orchestra): Sanctus” (1990)

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    Brett’s Sound Picks
  • April 16, 2025

    Brett’s Sound Picks: Romance’s “Too Much Love” (2025)

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    Brett’s Sound Picks
  • April 9, 2025

    Brett’s Sound Picks: Jefre Cantu-Ledesma’s “Gift Song 1” (2025)

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    Brett’s Sound Picks, musical taste
  • February 26, 2025

    Brett’s Sound Picks: Barker’s “Stjernenatt” (2025)

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    Brett’s Sound Picks
  • February 20, 2025

    Brett’s Sound Picks: Anouar Brahem’s “After the Last Sky” (2025)

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    Brett’s Sound Picks
  • January 24, 2025

    Brett’s Sound Picks: Astrid Sonne’s “Light and heavy (HVAD EDIT)” (2025)

    2025 Continue reading

    Brett’s Sound Picks
  • January 16, 2025

    Brett’s Sound Picks: Julius Asal Plays Debussy, “Preludes, Book 1, CD 125: VI. Des pas sur la neige” (2024)

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    Brett’s Sound Picks
  • December 13, 2024

    Brett’s Sound Picks: Merely and Malibu’s “E22” (2024)

    Playlist 2024 Continue reading

    Brett’s Sound Picks
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Quanta
  • Resonant Thoughts: Vincenzo Latronico’s “Perfection” (2025)
  • Database: Claire M Singer on Writing By Improvising
  • Resonant Thoughts: Matthew H. Birkhold’s “Metronome” (2025)
  • Brett’s Sound Picks: Claire M Singer’s “Rionnag a Tuath” (2025)

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