Brett’s Sound Picks

April 29, 2025

Brett’s Sound Picks: Disiniblud (Rachika Nayar & Nina Keith), “Blue Rags, Raging Wind” (2025)

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Brett’s Sound Picks
April 23, 2025

Brett’s Sound Picks: Walt McClements’ “A Painted Ship” (2025)

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accordion music, Brett’s Sound Picks
April 19, 2025

Brett’s Sound Picks: Arvo Pärt’s “Berliner Messe (Version for Mixed Choir and String Orchestra): Sanctus” (1990)

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Brett’s Sound Picks
April 16, 2025

Brett’s Sound Picks: Romance’s “Too Much Love” (2025)

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Brett’s Sound Picks
April 9, 2025

Brett’s Sound Picks: Jefre Cantu-Ledesma’s “Gift Song 1” (2025)

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Brett’s Sound Picks, musical taste
February 26, 2025

Brett’s Sound Picks: Barker’s “Stjernenatt” (2025)

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Brett’s Sound Picks
February 20, 2025

Brett’s Sound Picks: Anouar Brahem’s “After the Last Sky” (2025)

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Brett’s Sound Picks
January 24, 2025

Brett’s Sound Picks: Astrid Sonne’s “Light and heavy (HVAD EDIT)” (2025)

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Brett’s Sound Picks
January 16, 2025

Brett’s Sound Picks: Julius Asal Plays Debussy, “Preludes, Book 1, CD 125: VI. Des pas sur la neige” (2024)

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Brett’s Sound Picks
December 13, 2024

Brett’s Sound Picks: Merely and Malibu’s “E22” (2024)

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Brett’s Sound Picks

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.