drumming
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On Advice To A Repetition Hater
“Practice, repetition, and repetition of the repeated with ever increasing intensity are its distinctive features for long stretches of the way.” – Eugen Herrigal, Zen in the Art of Archery Reduced to its essentials, drumming is fundamentally about repetition. Imagine for a moment that you’re a drummer. You stand in front of a snare drum Continue reading
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Real/Fake Drumming On A Fake/Real Keyboard: Thinking About Virtual Musicianship
The photo is me–playing a percussion part on the keyboard. This is one of the stranger wonders of the digital turn in music over the past quarter century: triggering sounds with instruments or controllers that themselves have nothing to do with those sounds. I don’t mind playing drums on the keyboard though. In fact, I’ve Continue reading
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On Drumming, Primitiveness, Wood, And Overtones: Michael Gordon’s “Timber”
You could make the argument that percussionists are as defined by their musical actions as by the objects of those actions–by the fact that they percuss on whatever can be percussed upon. And they don’t just play snare drums, timpani, and xylophone either. Partly thanks to the influence of “world” percussion traditions (of Indonesia, sub-Saharan Continue reading
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