Electronic music
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On Small Things And Big Pleasures: David Guetta’s “Titanium”
I get excited by small things. The other day I bought a mechanical pencil to highlight books with as I read. While holding the pencil that evening and underlining, I was struck by the pleasure this $2.19 purchase had brought. It’s precise, light, and helps do a job, with the added grace of having an Continue reading
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On Four Tet’s Good Taste
“It’s very rare for me to use instruments or synths or anything like that.” – Kieran Hebden I have long felt that the electronic musician Four Tet (aka Kieran Hebden) has good taste. He makes what critics once labelled “folktronica” music, a term that probably came about in an effort to describe how Hebden deftly Continue reading
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On The Trickle-Down Of Electronic Dance Music Aesthetics IV: Usher And Diplo’s “Climax”
“We are in a place now where fans don’t have conviction to one sound.” – Diplo This song caught my ear the first time I heard it: I recognized Usher’s R&B falsetto singing, of course, but what really got me was the sparse electronic backing track comprised of little more than a sequenced bassline, kick, Continue reading
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Sound Decisions: On Daniel Kahneman’s “Thinking, Fast and Slow”
“Instinct puts us in the moment, intellect is slower.” – Robert Fripp “The proof that you truly understand a pattern of behavior is that you know how to reverse it.” – Daniel Kahneman Sometimes while working on writing new music I’ve noticed how I oscillate between two frames of mind. One frame feels spontaneous and intuitive. Continue reading
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On The Trickle Down Of Electronic Dance Music Aesthetics III: Acousmatic Sound And Authenticity At The 2012 Grammy Awards
“All cultural change is essentially technology-driven.” – William Gibson This year’s Grammy Awards featured the first ever performances of live electronic dance music, showcasing the DJs David Guetta and deadmau5 with R&B singer Chris Brown, rapper Lil Wayne, and the rock band Foo Fighters in what the Los Angeles Times aptly called “a confused, if Continue reading
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On Less Is More: El Fog’s Rebuilding Vibes
I don’t quickly absorb music that’s new to me. As a listener I’m inherently suspicious of what I’ve not yet come to know (and this includes my own works in progress!) It takes me a while to get–let alone trust–a music. Because of my tendencies, there’s not a ton of sound on my iPhone. In Continue reading
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On The Trickle Down Of Electronic Dance Music Aesthetics II: Maroon 5’s “Move Like Jagger”
Almost everywhere you listen in mainstream American popular music today you hear bands coming to terms with electronic dance music’s most thumping contribution to 21st-century sonic entertainment: the “four-on-the-floor” bass drum pulse. This is the pulse that drove (and still drives) disco, electro, techno and house, as well as all kinds of derivatives of these Continue reading
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On Matthew Herbert’s One Pig
Several years ago I read an interview with the English experimental electronic musician Matthew Herbert in Tape Op magazine and I remember him going on about the importance of his audio samples. Herbert didn’t want to use just any old sound sample. He wanted to use sounds that had some meaning for him–sounds that had Continue reading
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On Wonderment And Scripts In Electronic Music Making
“I always say to myself, what is the most important thing we can think about at this extraordinary moment?”—Buckminster Fuller There’s a feeling I’m getting used to by now as I make electronic music: a sense of wonderment regarding all the sonic possibilities I’m not exploring at this very (extraordinary) moment. Once upon a time Continue reading
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