Skip to content
    • about
    • ai in music resources
    • archives
    • art about music
    • atelier
    • books
    • brett’s sound picks
    • database (a cache of perceptions)
    • film
    • interview
    • keywords
    • music
    • thought tools
    • ventrilo-dialogues

brettworks

thinking through music


from the archives

  • February 9, 2026

    From The Archives: (Marimbafied 8 12.26.23)

    Continue reading

    curation, four-on-the-floor, from the archives
  • September 9, 2025

    From The Archives: Marimbafied 2 (12.7.23)

    Continue reading

    from the archives, who cares if you listen?
  • August 27, 2025

    From The Archives: Double Drones 7 (9.9.24)

    Continue reading

    accidental epistemologies, drone, from the archives
  • June 30, 2025

    HT Dub 8

    Continue reading

    from the archives
  • April 21, 2025

    Piano Outside

    Continue reading

    from l’atelier, from the archives, soundscapes
  • March 19, 2025

    From The Archives: “OV 2” (2023)

    Continue reading

    expressivity, from the archives, voice
  • February 24, 2025

    From The Archives: “nunc” (2022)

    Continue reading

    from the archives
  • February 11, 2025

    From The Archives: “exultate” (2022)

    Continue reading

    from the archives
    electronic music
  • September 25, 2024

    From The Archives: “Piano/MS20/2022”

    (From The Archives is a blog post series where I revisit older tracks that have escaped notice. Normally I post music to keep track of what I’ve done and flag what seems promising. But since I have no method of curating my stuff and I’m prone to recency bias, I overlook older tracks. There’s a… Continue reading

    ¯\_(ツ)_/¯, from the archives
  • April 7, 2021

    From The Archives: Questions Ever

    Continue reading

    from the archives, marimba
Next Page»

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Curating The Week: AI and Human Touch, AI and Writing, AI and Taste
  • Marimbafied 35
  • Pianola
  • Tuning
  • Unquantized (Remodel)

Subscribe To Brettworks


©

brettworks

2022, All Rights Reserved.

Blog at WordPress.com.

  • Subscribe Subscribed
    • brettworks
    • Join 778 other subscribers
    • Already have a WordPress.com account? Log in now.
    • brettworks
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar