• about
    • ai in music resources
    • archives
    • art about music
    • atelier
    • books
    • brett’s sound picks
    • database (a cache of perceptions)
    • film
    • interview
    • keywords
    • music
    • thought tools
    • ventrilo-dialogues

brettworks

thinking through music


musical analogies

  • January 27, 2021

    Sketches: Shadowed

    Continue reading

    musical analogies, new music
  • September 18, 2020

    Fractal Studies 2: Sky Divided

    Continue reading

    fractal studies, musical analogies

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Resonant Thoughts: Vincenzo Latronico’s “Perfection” (2025)
  • Database: Claire M Singer on Writing By Improvising
  • Resonant Thoughts: Matthew H. Birkhold’s “Metronome” (2025)
  • Brett’s Sound Picks: Claire M Singer’s “Rionnag a Tuath” (2025)
  • Holding Out For Better

Subscribe To Brettworks


©

brettworks

2022, All Rights Reserved.

Blog at WordPress.com.

  • Subscribe Subscribed
    • brettworks
    • Join 770 other subscribers
    • Already have a WordPress.com account? Log in now.
    • brettworks
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar