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brettworks

thinking through music


sketch

  • March 8, 2021

    On Thin Ice

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    motion, movement, sampling, sketch
  • March 2, 2021

    Mood Reel

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    it doesn’t matter how blog posts are tagged, sketch
  • March 1, 2021

    Pulsations

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    pulsation, pulseology, sketch
  • February 22, 2021

    Z arp P

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    sketch
  • February 8, 2021

    No. 56

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    sketch, why doesn’t he just write about music instead?
  • February 1, 2021

    Pianodrum

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    beats, piano music, sketch
  • January 25, 2021

    Counterpoints

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    counterpoint, sketch
  • January 5, 2021

    Cycles 4

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    sketch
  • December 30, 2020

    Three Chords Whose Timbres Change

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    chords, sketch
  • December 28, 2020

    No. 46 & VP 1

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    sketch
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Curating The Week: AI and Human Touch, AI and Writing, AI and Taste
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  • Unquantized (Remodel)

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