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brettworks

thinking through music


  • February 21, 2012

    Sound Decisions: On Daniel Kahneman’s “Thinking, Fast and Slow”

    “Instinct puts us in the moment, intellect is slower.” – Robert Fripp “The proof that you truly understand a pattern of behavior is that you know how to reverse it.” – Daniel Kahneman Sometimes while working on writing new music I’ve noticed how I oscillate between two frames of mind. One frame feels spontaneous and intuitive.… Continue reading

    composition, creative strategies, decision-making, Electronic music, music cognition
    american psychologist, inclinations, jumping to conclusions, nobel laureate, vague awareness
  • February 15, 2012

    On Piano Lessons: Tricia Tunstall’s “Note By Note”

    “An instrumentalist is an athlete.” –Tricia Tunstall For many people, taking piano lessons is an initial gateway to learning to make and understand music for themselves. Knowing that 88-key terrain of black and white tones and semitones is a giant step towards understanding the pushes and pulls of tonal music, and piano playing makes mind and… Continue reading

    classical music, music lessons, music pedagogy, musical sociality, piano music
  • February 13, 2012

    On The Trickle Down Of Electronic Dance Music Aesthetics III: Acousmatic Sound And Authenticity At The 2012 Grammy Awards

    “All cultural change is essentially technology-driven.” – William Gibson This year’s Grammy Awards featured the first ever performances of live electronic dance music, showcasing the DJs David Guetta and deadmau5 with R&B singer Chris Brown, rapper Lil Wayne, and the rock band Foo Fighters in what the Los Angeles Times aptly called “a confused, if… Continue reading

    acousmatic sound, authenticity, Electronic music, music performance, remixing and mash-ups
    electronic dance music, grammy awards, instrumental virtuosity, manipulating digital
  • February 9, 2012

    On Bass Culture: Beats By Dr. Dre Headphones

    If you look around the streets of New York you see a lot of folks wearing Beats by Dr. Dre, those giant black and red (or white and red) plastic over-the-ear headphones with their iconic red cables. The Beats headphones are the result of a collaboration between Monster, an audio cable manufacturing company, and Dr.Dre,… Continue reading

    bass materialism, headphones and speakers, listening
    balanced response, bass frequencies, frequency spectrum, full frequency, hip hop artist, kick drums
  • February 6, 2012

    On (Making) Recordings Versus (Living) Live Music

    “Record stores”, a friend of mine once memorably observed as we drove past one, “are where music goes to die.” And with the demise of record stores, music recordings–and by recordings I mean CDs–have had a tough time surviving since MP3 downloading became the primary way most people get their music. For musicians, it used to… Continue reading

    performance, recording culture
  • February 2, 2012

    On Nostalgia And The Voice Of Michael McDonald

    I’m in the grocery store, staring at the fish offerings, when a subtle wave of melancholy washes over me. I’m restless and keep moving, eyeing products on the shelves, looking for a particular milk brand–but I just can’t shake this feeling. Since when is grocery shopping such an emotional experience? The milk and some odds… Continue reading

    easy listening music, listening, music and nostalgia, soundscapes
  • January 30, 2012

    On Recorded Music’s Last Gasp: More On Evanescent Materials In Solid Containers

    Walking the aisles of a neighborhood drugstore I came upon a strange sight: a small, sad rack of CDs. From top to bottom were eight different releases I could identify (see pic above), including works by Santana, Aerosmith, Hall and Oats, Sade, Earth, Wind & Fire, Elvis, Bob Dylan, AC-DC, and a Michael Jackson compilation… Continue reading

    listening, popular music, the music industry
  • January 26, 2012

    Ventrilo-Dialogue: A Conversation With Arvo Pärt

    Chant: “(Advocatam) Llibre Vermell de Montserrat” Arvo Pärt: “Da Pacem Domine” Arvo Pärt: “Mein Weg” Aphex Twin: “Rhubarb” (Note: If you are looking for further musical juxtapositions, press play on the chant clip and when it arrives at 0:05 press play on the first Pärt clip [and turn up its volume slightly] and listen to the mix.) Continue reading

    composition, ventrilo-dialogue
  • January 23, 2012

    On Spam Feedback

    One of the curious things about maintaining a blog–or maybe just my blog–is that most of the “feedback” I get is in the form of spam. My dashboard settings tell me that so far I’ve been “protected”, thank goodness, from some 1600 spam messages (and counting) that keeping hitting the blog like bugs splattering on… Continue reading

    feedback
    curious things
  • January 19, 2012

    On Drumming, Primitiveness, Wood, And Overtones: Michael Gordon’s “Timber”

    You could make the argument that percussionists are as defined by their musical actions as by the objects of those actions–by the fact that they percuss on whatever can be percussed upon. And they don’t just play snare drums, timpani, and xylophone either. Partly thanks to the influence of “world” percussion traditions (of Indonesia, sub-Saharan… Continue reading

    aesthetics, composition, drumming, overtones, resonance
    percussion instrument, percussion music
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Resonant Thoughts: Riccardo Falcinelli’s “Chromorama: How Colour Has Changed Our Way of Seeing” (2025)
  • Antiphons
  • Database: Tetsu Inoue On Unexpected Rhythms And Avoiding Obvious Sounding Beats
  • Same Walk, Different Music: Actress, Suzanne Ciani, “Concrète Waves London B2” (2026).
  • Brett’s Sound Picks: Actress and Suzanne Ciani’s “Concrète Waves Barcelona B4” (2026)

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