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thinking through music


  • January 17, 2022

    Curating The Week: Beauty as Symmetry, Habit and Repetition, AI in Music, Bowedscapes

    • The physicist Michio Kaku defines beauty in terms of symmetry and the re-arrangement of components (and provides one of the most compelling explanations of compelling music). The podcast is here. “Beauty to a physicist is symmetry. There’s a symmetry in music. For example, the simplest symmetry is a rubber ball. You rotate the ball… Continue reading

    Curating The Week
  • January 14, 2022

    Notes On Practice As Repetition Without Repetition

    In the 1920s, Nikolai Bernstein, a mostly self-taught neurophysiologist and pioneer in the field of motor control, studied the movements of blacksmiths at Moscow’s Central Institute of Labor. Bernstein used cyclographic photography techniques to track the motions used to cut metal with a chisel and hammer. (See photo above.) His research showed how repeating movements… Continue reading

    perception, percussion, performance, practicing, repetition
  • January 12, 2022

    Art About Music: Vida Gabor’s “Old Friends” (1955)

    (The artist was also a musician: he was a flute soloist with the Budapest Opera for over twenty years.) Continue reading

    art about music
  • January 11, 2022

    Across Moments

    Listen on Spotify and Apple Music. Continue reading

    bottom-up theory, bowed percussion
  • January 10, 2022

    Bowedscapes

    Listen on Spotify and Apple Music. Continue reading

    bowed percussion
  • January 8, 2022

    Cadences 7 (remodel)

    Continue reading

    remodels
  • January 7, 2022

    Cadences 7

    Continue reading

    cadences, voice
  • January 6, 2022

    Resonant Thoughts: Nassim Nicholas Taleb’s “The Bed of Procrustes” (2010)

    “Knowledge is subtractive, not additive—what we subtract (reduction by what does not work, what not to do), not what we add (what to do).” “By setting oneself totally free of constraints, free of thoughts, free of this debilitating activity called work, free of efforts, elements hidden in the texture of reality start staring at you;… Continue reading

    Resonant Thoughts
  • January 5, 2022

    Brett’s Sound Picks: Loraine James’ “On the Lake Outside” (2021)

    (Brett’s Sound Picks 2021)(Brett’s Sound Picks 2022) Continue reading

    Brett’s Sound Picks
  • January 4, 2022

    Art About Music: Photo Of The N.S.G.W. Drum Corps (wearing flu masks) Celebrating The End Of WWI In Sebastopol, CA (1918)

    Continue reading

    art about music
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Resonant Thoughts: John Ashbery’s “A Wave” (1984)
  • Art About Music: Google’s Lyria 3 (2026)
  • Studio Observations: Listening To Improvisation
  • Database: Shane Parish on Revoicing and the Game Of Subtraction
  • Jup-8000, No. 1

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