john berger

October 3, 2013

Notes On Another Kind of Wonder: A Phenomenology Of Remixing

“I confronted the tradition directly as a sound form and kinesthetic activity, and made it my own in an act of appropriation that transformed me, my self, into something I hadn’t been before, a person capable of playing in this tradition with at least minimal competence.” – Timothy Rice, “Toward a Mediation of Field Methods and Continue reading

creative strategies, Electronic music, phenomenology

electronic music, john berger
January 17, 2012

On Perception, Presence, And The Creative Process: John Berger’s “Bento’s Sketchbook”

“I’m taking my time, as if I had all the time in the world. I do have all the time in the world.” – John Berger John Berger’s Bento’s Sketchbook (2011) is a meditation on the connections between seeing, feeling, and drawing, and how these connections shape how we perceive and make sense of the Continue reading

creative strategies, ethnography, mindfulness, perception, phenomenology

john berger

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

john berger

Notes On Another Kind of Wonder: A Phenomenology Of Remixing

On Perception, Presence, And The Creative Process: John Berger’s “Bento’s Sketchbook”