Tristan Marzeski
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Curating The Week: On Stagefright, Jeff Porcaro’s Timing, And Futurism In New Dance Music
1. A New Yorker article about stagefright. “The crux, of course, was the invention of sound recording and then of film, in the late nineteenth century. These things did not create stagefright, but they fostered it, by enabling performers to do their work without having to appear in front of an audience.” 2. An article Continue reading
