“I very rarely go back or delete. I add one eq after the other and each one of them is like a step of correction or enhancement of the previous one. Of course it is maybe the worst thing you could do, but it makes the sound more yours, or better: it crystallizes what your relationship actually is. That’s what I like about electronic music production – it isn’t said that in the end the trumpet-sound must resemble the original trumpet. After everything it could sound more like drums or like a piano.”