“For me, sometimes, it feels better to have only one note whose colors change. I pay attention to: How do we change the sound of this? Not through any weird effects. That would be gluing things together.”
“If you had one rope, and you had a really nice knot with this one note—one rope—it can be very complex. If you say, ‘I have two ropes, which can weave,’ I’m also interested in that. Really nice textiles can come out of this. If you get people to concentrate on what is happening in very reduced material, then this is possible.”
“If you pay attention, and if you listen apart from what’s happening to [dub] music, there’s the center, and there’s the sides. It’s about trying to perceive what’s happening on the side, or above, or behind.”
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