Thomas Brett
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“What you hear in music is just a hunch”: Musical Lessons From Harold Budd
Harold Budd, one of my favorite musicians, passed away last week. Budd began his career as a jazz drummer, and then began composing avant garde classical music. Finding influence in the work of painter Mark Rothko, composer John Cage, as well as medieval and renaissance musics, Budd turned away from the complexities of the avant… Continue reading
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Brett’s Sound Picks: Robin Guthrie and Harold Budd’s “Coral” (2020)
(Brett’s Sound Picks 2020). Continue reading
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Resonant Thoughts: Alessandro Baricco’s “The Game” (2020)
“There is a deep-rooted suspicion that the perception of the world that has been shaped by new technology is missing a whole segment of reality, perhaps the best part: the one that pulsates under the surface of things, where only patient, laborious, and sophisticated attention will lead. This is a place for which a word… Continue reading
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Notes On Curation II: Sketchbook
Each week on this blog I’ve been sharing a piece of music. Some of these tracks are finished, some in progress, some are experiments that led somewhere but no further, and some are probably done but I just don’t know it yet. The music is always at least a few weeks old, and usually several… Continue reading
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Notes On A Guitarist’s Tone
This week, Spotify’s algorithm sent some unusual music my way. The track was Robert Fripp’s “Music for Quiet Moments 28—Time Stands Still” from a recorded concert in 2006. Fripp is the founder of King Crimson, and also a legendary guitarist. Since the early 1970s he has developed various looping systems—from reel to to reel tape… Continue reading
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Brett’s Sound Picks: Lorenzo Senni’s “Vandalize Music” (2020)
(Follow Brett’s Sound Picks Playlist.) Continue reading
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