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brettworks

thinking through music


art about music

  • July 30, 2019

    Art About Music: Thomas Brett’s “Marimbafied” (2019)

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    art about music, Uncategorized
  • July 23, 2019

    Art About Music: Everald Brown’s “Bush Have Ears” (1976)

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    art about music, Uncategorized
  • July 16, 2019

    Art About Music: Casio’s KX-101 (1984)

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  • July 9, 2019

    Art About Music: Frans Floris’s “Allegory of Music” (1570)

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  • July 2, 2019

    Art About Music: Everald Brown’s “Niabinghi Hour” (1969)

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  • June 25, 2019

    Art About Music: Frans Floris’s “Family Portrait” (1561)

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  • June 18, 2019

    Art About Music: Gerard Ter Borch’s “The Music Lesson” (c. 1668)

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  • June 11, 2019

    Art About Music: Garry Trudeau’s “Doonesbury” Comic

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  • June 4, 2019

    Art About Music: Gerrit Dou’s “A Woman Playing A Clavichord” (c. 1665)

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  • May 28, 2019

    Art About Music: Gerard van Honthorst’s “Musical Group on a Balcony” (1622)

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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Brett’s Sound Picks: Laura Cannell’s “The Water Had Carried Her” (2026)
  • Curating The Week: AI and Human Touch, AI and Writing, AI and Taste
  • Marimbafied 35
  • Pianola
  • Tuning

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