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brettworks

thinking through music


art about music

  • April 24, 2018

    Art About Music: Jacob Duck’s “Woman With Theorbo Vanitas” (c. 1660)

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    art about music, lutes, Uncategorized
  • April 17, 2018

    Art About Music: Lavinia Fontana’s “Self-Portrait At The Spinet” (1577)

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    art about music, keyboard music, Uncategorized
  • April 10, 2018

    Art About Music: Francois-Joseph Navez’s “Wandering Musicians” (1828)

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    art about music, Uncategorized
  • April 3, 2018

    Art About Music: Jan Brueghel The Elder’s “The Sense Of Hearing” (1618)

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    art about music, hearing, Uncategorized
  • March 28, 2018

    Art About Music: Ed Ruscha’s “Noise” (1963)

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    art about music, Uncategorized
  • March 20, 2018

    Art About Music: Eno And Fripp’s Signal-Delay System (c. 1973)

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    art about music, Uncategorized
  • March 13, 2018

    Art About Music: Constantin Piliuță’s (1929-2003) “Lautari” (n.d.)

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    art about music, Uncategorized
  • March 6, 2018

    Art About Music: Marion Post Wolcott’s “Drummer in orchestra in Memphis juke joint” (1939)

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    art about music, Uncategorized
  • February 27, 2018

    Art About Music: Edgar Degas’ “L’Altiste” (1880)

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    art about music, Uncategorized
  • February 20, 2018

    Art About Music: William Merritt Chase’s “The Song” (1907)

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    art about music, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Brett’s Sound Picks: Laura Cannell’s “The Water Had Carried Her” (2026)
  • Curating The Week: AI and Human Touch, AI and Writing, AI and Taste
  • Marimbafied 35
  • Pianola
  • Tuning

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