art about music

April 13, 2023

Art About Music: Johannes Vermeer’s “The Love Letter” (1670)

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art about music
March 30, 2023

Art About Music: Alma Thomas’ “Red Azaleas Singing and Dancing Rock and Roll Music” (1976)

“Red Azaleas Singing and Dancing Rock and Roll Music” (1976) by Alma Thomas Continue reading

art about music
March 15, 2023

Art About Music: “E-Mail Spam From A Music Streaming Company” (2023)

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art about music
February 1, 2023

Art About Music: Notes On Sample Point Locations That Sound Good (2023)

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art about music
January 25, 2023

Art About Music: Robert Leighton’s “City Opera” (2023)

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art about music, Uncategorized
January 6, 2023

Art About Music: Salvador Dali’s “A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano” (1936)

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art about music
November 30, 2022

Art About Music: Vilen Barsky’s “Drummer Solo” (1959)

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art about music
November 18, 2022

Art About Music: Lawren Harris’s “Nature Rhythms” (1950)

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art about music
November 2, 2022

Art About Music: Georges Ribemont-Dessaignes’ “Grand Musicien” (1920)

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art about music, Uncategorized
October 26, 2022

Art About Music: Jean Dufy’s “Trio De Clowns Musiciens” (1929)

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art about music

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.