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brettworks

thinking through music


art about music

  • July 6, 2021

    Art About Music: Nicolas Mathieu Eekman (1889-1973), “The Bell Ringers”

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    art about music, bells
  • June 9, 2021

    Art About Music: Henry Ossawa Tanner’s “The Banjo Lesson” (1893)

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    art about music
  • April 29, 2021

    Art About Music: Ernie Barnes’ “Song of Myself (c. 1970)

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    art about music
  • April 21, 2021

    Art About Music: Pieter de Grebber’s “Musicians” (c. 1620-23)

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    art about music
  • April 13, 2021

    Art About Music: Leonardo da Vinci’s “Portrait of a Musician” (1483-87)

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    art about music
  • April 6, 2021

    Art About Music: Fernando Botero’s “The Musicians” (1991)

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    art about music, Uncategorized
  • March 31, 2021

    Art About Music: André Derain’s “Harlequin and Pierrot” (c. 1924)

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    art about music
  • March 16, 2021

    Art About Music: Laurent de La Hyre’s “Allegory of Music” (1649)

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    art about music
  • March 9, 2021

    Art About Music: John George Brown’s “The Music Lesson” (1870)

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    art about music
  • December 15, 2020

    Art About Music: Jacob Lawrence’s “Blind Musician” (1942)

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    art about music
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Art Is Artisanal
  • Resonant Thoughts: “The World According to David Hockney” (2024)
  • Same Walk, Different Music
  • Resonant Thoughts: James Wood’s “Serious Noticing: Selected Essays, 1997–2019” (2020)
  • Curating The Week: Tinkering And Marginal Gains In Sport, The Ephemerality Of Music Consumption

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