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brettworks

thinking through music


atelier

  • March 24, 2025

    Tenebrae

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    atelier
  • March 17, 2025

    atelier: marimbafied 13

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    atelier, marimba, piano music
  • March 10, 2025

    Marimbafied 10

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    anti-boredom, atelier
  • March 6, 2025

    atelier: piano (open loops series) (2.3.25)

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    atelier
  • February 19, 2025

    Atelier: Piano Duo

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    atelier, piano music
  • February 4, 2025

    Atelier: piano solo (cycles remodel)

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    atelier
  • January 27, 2025

    Atelier: piano solo

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    atelier
  • January 21, 2025

    Atelier: Current Studies #13

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    atelier
  • January 14, 2025

    Atelier: Current Studies #15

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    atelier, pulseology
  • January 3, 2025

    Atelier: current studies #6

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    atelier, pulseology
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Quanta
  • Resonant Thoughts: Vincenzo Latronico’s “Perfection” (2025)
  • Database: Claire M Singer on Writing By Improvising
  • Resonant Thoughts: Matthew H. Birkhold’s “Metronome” (2025)
  • Brett’s Sound Picks: Claire M Singer’s “Rionnag a Tuath” (2025)

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