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brettworks

thinking through music


atelier

  • March 30, 2026

    No. 6

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    atelier, composing
  • March 3, 2026

    Jup-8000, No. 1

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    accidental epistemologies, atelier
  • January 20, 2026

    (14 January)

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    atelier
  • December 1, 2025

    Fragments (Three Parts)

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    atelier
  • September 22, 2025

    Tenebrae (Cycles Version)

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    abundance, atelier, cycles version
  • August 19, 2025

    Freeze Studies 9

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    atelier
  • July 29, 2025

    Freeze Studies

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    atelier, Uncategorized
  • July 21, 2025

    Piano Pulsations

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    atelier
  • July 10, 2025

    In Unison

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    atelier
  • July 7, 2025

    Sine Study

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    atelier, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Resonant Thoughts: Riccardo Falcinelli’s “Chromorama: How Colour Has Changed Our Way of Seeing” (2025)
  • Antiphons
  • Database: Tetsu Inoue On Unexpected Rhythms And Avoiding Obvious Sounding Beats
  • Same Walk, Different Music: Actress, Suzanne Ciani, “Concrète Waves London B2” (2026).
  • Brett’s Sound Picks: Actress and Suzanne Ciani’s “Concrète Waves Barcelona B4” (2026)

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