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brettworks

thinking through music


atelier

  • December 23, 2024

    Atelier: Three Tones (Marimbafied Version)

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    atelier
  • December 16, 2024

    Atelier: Plucked, Struck, Sampled

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    atelier
  • December 9, 2024

    Atelier: Current Study 1

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    atelier
  • December 3, 2024

    Atelier: Two Keys

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    atelier
  • November 25, 2024

    atelier: ember study

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    atelier
  • November 20, 2024

    Atelier: piano timeless 1.10.24

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    atelier
  • November 12, 2024

    Tenebrae Factae

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    atelier
  • November 8, 2024

    current studies #6

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    atelier
  • October 30, 2024

    [untitled]

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    atelier
  • October 21, 2024

    d dubs 3 3.7.23

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    abundance, atelier
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Quanta
  • Resonant Thoughts: Vincenzo Latronico’s “Perfection” (2025)
  • Database: Claire M Singer on Writing By Improvising
  • Resonant Thoughts: Matthew H. Birkhold’s “Metronome” (2025)
  • Brett’s Sound Picks: Claire M Singer’s “Rionnag a Tuath” (2025)

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