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brettworks

thinking through music


awesomeness

  • September 11, 2025

    Marimba Mediations 3

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    awesomeness
  • February 18, 2020

    Optimize

    On Spotify On Apple Music Continue reading

    advertising, affect, attentional arcs, awesomeness, optimization, Uncategorized
  • January 16, 2019

    Brett’s Sound Picks: Deaf Center’s “Movements / The Ascent” (2019)

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    awesomeness, Brett’s Sound Picks, Uncategorized
  • January 9, 2019

    Brett’s Sound Picks: Barker’s “Look How Hard I’ve Tried” (2018)

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    awesomeness, Brett’s Sound Picks, Uncategorized

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Resonant Thoughts: Vincenzo Latronico’s “Perfection” (2025)
  • Database: Claire M Singer on Writing By Improvising
  • Resonant Thoughts: Matthew H. Birkhold’s “Metronome” (2025)
  • Brett’s Sound Picks: Claire M Singer’s “Rionnag a Tuath” (2025)
  • Holding Out For Better

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