Brett’s Sound Picks

December 13, 2024

Brett’s Sound Picks: Merely and Malibu’s “E22” (2024)

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Brett’s Sound Picks
December 6, 2024

Brett’s Sound Picks: Nicolas Jaar’s “F Collect” (2024)

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Brett’s Sound Picks
November 28, 2024

Brett’s Sound Picks: r beny’s “braid into chorus” (2024)

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Brett’s Sound Picks
November 5, 2024

Notes On Music and Joy

Vulfpeck, “Back Pocket” (2015) Continue reading

Brett’s Sound Picks
October 31, 2024

When The First Nine Minutes Set Up The Last Three: Felicia Atkinson’s “Thinking Iceberg” (2024)

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Brett’s Sound Picks
October 1, 2024

Brett’s Sound Picks: Paradise Cinema’s “Night Search” (2024)

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Brett’s Sound Picks
September 11, 2024

Brett’s Sound Picks: Nonkeen’s “of plasticity” (2024)

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Brett’s Sound Picks
August 22, 2024

Brett’s Sound Picks: Loidis’s “Dollarama” (2024)

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Brett’s Sound Picks, Uncategorized
August 15, 2024

Brett’s Sound Picks: Clark’s “Green Breaking” (2024)

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Brett’s Sound Picks
August 8, 2024

Brett’s Sound Picks: JakoJako’s “Introspektion” (2024)

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Brett’s Sound Picks

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.