Brett’s Sound Picks

October 6, 2023

Brett’s Sound Picks: Moritz Von Oswald’s “Infinito (Version)” (2023)

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Brett’s Sound Picks
September 29, 2023

Brett’s Sound Picks: James Blake’s “Playing Robots Into Heaven” (2023)

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Brett’s Sound Picks
September 20, 2023

Brett’s Sound Picks: KMRU’s “Matching Teal Surfaces” (2023

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Brett’s Sound Picks
September 14, 2023

Brett’s Sound Picks: Colleen’s “Night looping – Movement I” (2023)

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Brett’s Sound Picks
September 8, 2023

Brett’s Sound Picks: Arovane’s “rotor” (2023)

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Brett’s Sound Picks
September 6, 2023

Art About Music: Jan van Heemessen’s “Young Girl At A Spinet” (1530)

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Brett’s Sound Picks
August 23, 2023

Brett’s Sound Picks: Sarah Davachi’s “Alms Vert” (2023)

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Brett’s Sound Picks
August 10, 2023

Brett’s Sound Picks: Barker’s “Birmingham Screwdriver” (2023)

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Brett’s Sound Picks
July 28, 2023

Brett’s Sound Picks: Ylia’s “Drifting Into The Good Night” (2023)

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Brett’s Sound Picks
July 13, 2023

Brett’s Sound Picks: Benoît Pioulard’s “Where To” (2023)

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Brett’s Sound Picks

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.