Brett’s Sound Picks

June 27, 2023

Brett’s Sound Picks: Romance’s “Hymn To The Sea” (2023)

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Brett’s Sound Picks
June 22, 2023

Brett’s Sound Picks: Colleen’s “Subterranean – Movement 1” (2023)

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Brett’s Sound Picks
June 13, 2023

Brett’s Sound Picks: Nathan Fake’s “CMD” (2023)

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Brett’s Sound Picks
June 7, 2023

Brett’s Sound Picks: Mandy, Indiana’s “Love Theme (4K VHS)

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Brett’s Sound Picks
May 30, 2023

Brett’s Sound Picks: Clark’s “Dolgoch Tape” (2023)

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Brett’s Sound Picks, taste
May 24, 2023

Brett’s Sound Picks: Grischa Lichtenberger’s: “1011_11104_v_re_61011s1b” (2023)

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Brett’s Sound Picks
May 17, 2023

Brett’s Sound Picks: Ital Tek’s “Cold Motion” (2023)

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May 3, 2023

Brett’s Sound Picks: The Field’s “Alter – The Field Remix” (2023)

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Brett’s Sound Picks
April 26, 2023

Brett’s Sound Picks: Neil Cowley’s “Cord” (2023)

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Brett’s Sound Picks
January 4, 2023

Brett’s Sound Picks: TLF Trio’s “Passacaglia” (2022)

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Brett’s Sound Picks

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.