brettworks

thinking through music

Brett’s Sound Picks

July 13, 2023

Brett’s Sound Picks: Benoît Pioulard’s “Where To” (2023)

2023 Continue reading

Brett’s Sound Picks
June 27, 2023

Brett’s Sound Picks: Romance’s “Hymn To The Sea” (2023)

Taste Matters Continue reading

Brett’s Sound Picks
June 22, 2023

Brett’s Sound Picks: Colleen’s “Subterranean – Movement 1” (2023)

2023 Continue reading

Brett’s Sound Picks
June 13, 2023

Brett’s Sound Picks: Nathan Fake’s “CMD” (2023)

2023 Continue reading

Brett’s Sound Picks
June 7, 2023

Brett’s Sound Picks: Mandy, Indiana’s “Love Theme (4K VHS)

2023 Continue reading

Brett’s Sound Picks
May 30, 2023

Brett’s Sound Picks: Clark’s “Dolgoch Tape” (2023)

Continue reading

Brett’s Sound Picks, taste
May 24, 2023

Brett’s Sound Picks: Grischa Lichtenberger’s: “1011_11104_v_re_61011s1b” (2023)

2023 Continue reading

Brett’s Sound Picks
May 17, 2023

Brett’s Sound Picks: Ital Tek’s “Cold Motion” (2023)

2023 Continue reading

Brett’s Sound Picks
May 3, 2023

Brett’s Sound Picks: The Field’s “Alter – The Field Remix” (2023)

2023 Continue reading

Brett’s Sound Picks
April 26, 2023

Brett’s Sound Picks: Neil Cowley’s “Cord” (2023)

Who Cares If You Listen? Continue reading

Brett’s Sound Picks

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.