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brettworks

thinking through music


Brett’s Sound Picks

  • June 7, 2023

    Brett’s Sound Picks: Mandy, Indiana’s “Love Theme (4K VHS)

    2023 Continue reading

    Brett’s Sound Picks
  • May 30, 2023

    Brett’s Sound Picks: Clark’s “Dolgoch Tape” (2023)

    Continue reading

    Brett’s Sound Picks, taste
  • May 24, 2023

    Brett’s Sound Picks: Grischa Lichtenberger’s: “1011_11104_v_re_61011s1b” (2023)

    2023 Continue reading

    Brett’s Sound Picks
  • May 17, 2023

    Brett’s Sound Picks: Ital Tek’s “Cold Motion” (2023)

    2023 Continue reading

    Brett’s Sound Picks
  • May 3, 2023

    Brett’s Sound Picks: The Field’s “Alter – The Field Remix” (2023)

    2023 Continue reading

    Brett’s Sound Picks
  • April 26, 2023

    Brett’s Sound Picks: Neil Cowley’s “Cord” (2023)

    Who Cares If You Listen? Continue reading

    Brett’s Sound Picks
  • January 4, 2023

    Brett’s Sound Picks: TLF Trio’s “Passacaglia” (2022)

    2023 playlist Continue reading

    Brett’s Sound Picks
  • December 21, 2022

    Brett’s Sound Picks: Benedicte Maurseth’s “Heilo” (2022)

    (One of my top listens of the year–even the birds at 4:29 are in key…) 2022 playlist Continue reading

    Brett’s Sound Picks
  • December 7, 2022

    Brett’s Sound Picks: Sarah Davachi’s “Harmonies In Grey” (2022)

    2022 playlist Continue reading

    Brett’s Sound Picks
  • November 23, 2022

    Brett’s Sound Picks: Alva Noto & Ryuichi Sakamoto’s “Kizuna” (2022)

    2022 playlist Continue reading

    Brett’s Sound Picks
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Cymbalscapes 5
  • Curating The Week: A History of Western Classical Music, Building AI Models, AI’s Effects on Cognition
  • Database: Clark on Zero Expectations and the Actual Idea
  • Fine-Tuning
  • Suspiramus

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