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thinking through music

Brett’s Sound Picks

November 17, 2022

Brett’s Sound Picks: Dienne’s “Contacto” (2022)

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Brett’s Sound Picks
November 12, 2022

Brett’s Sound Picks: Arovane & Taylor Deupree’s “Sill_Lili” (2022)

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Brett’s Sound Picks
November 3, 2022

Brett’s Sound Picks: Burial’s “Streetlands” (2022)

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Brett’s Sound Picks
October 27, 2022

Brett’s Sound Picks: Hainbach’s “Wattebausch” (2022)

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Brett’s Sound Picks
October 13, 2022

Brett’s Sound Picks: Emeralds’ “Photosphere” (2022)

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Brett’s Sound Picks
October 6, 2022

Brett’s Sound Picks: Scanner’s “Text Stream” (2022)

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Brett’s Sound Picks
September 29, 2022

Brett’s Sound Picks: Clark’s “Sparrow Arc Tall” (2022)

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Brett’s Sound Picks
September 22, 2022

Brett’s Sound Picks: James Heather’s “Meant To be” (2022)

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Brett’s Sound Picks
September 15, 2022

Brett’s Sound Picks: John Robert’s “Wrecked Exotic” (2022)

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Brett’s Sound Picks
September 7, 2022

Brett’s Sound Picks: Pole’s “Grauer Sand” (2022)

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Brett’s Sound Picks

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.