“I think it’s really essential to explore tone—the tone of synths and drums and how bright or dark they are and to listen carefully to how they behave alongside other sounds, exploring tiny amounts of distortion, delay, filtering and compression. But also, don’t be scared to destroy sounds. Sometimes, chaos is needed in electronic music Continue reading

“Those old samplers…the audio quality would be degraded through dithering of the audio in the sample, in the sampler, or there’s a natural built-in bit crushing element to a lot of those samplers. Those distortion elements are introduced by feeding audio into a new piece of kit. So the next couple of [production] steps were Continue reading