“I think it’s really essential to explore tone—the tone of synths and drums and how bright or dark they are and to listen carefully to how they behave alongside other sounds, exploring tiny amounts of distortion, delay, filtering and compression. But also, don’t be scared to destroy sounds. Sometimes, chaos is needed in electronic music more than acoustic music, because, by its very nature, it’s quite rigid rhythmically and clean-sounding. I would also add that to generate more interesting melodies and chord progressions, you should regularly approach this without a beat or grid. Simply record long passages of improvisation with a synth sound that you enjoy, and then later you’ll be more inspired to make it work with rhythmic samples, because grids often restrict some amazing yet simple possibilities.”