Resonant Thoughts
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Resonant Thoughts: Witold Rybczynski’s “How Architecture Works: a Humanist’s Toolkit” (2011)
“You arrive at the sublime or poetic not by metaphor, but by making virtues out of necessity. That’s the secret of design.” Diamond Schmitt “The plan is the generator.” Le Corbusier “Values, not rules.” Witold Rybczynski, How Architecture Works Continue reading
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Resonant Thoughts: Callum Robinson’s “Ingrained” (2024)
“A Brief Note On: Finding Your Voice Pore over books and magazines, get online, read interviews with designers in different fields and discover, if you can, what moves them to do what they do. Scroll (God help you) through social media. Collect, curate, and digitally scrapbook. Train that algorithm to feed you something nutritious for Continue reading
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Resonant Thoughts: Kevin Kelly’s “Excellent Advice For Living” (2023)
“Separate the processes of creatingfrom improving. You can’t write and edit or sculpt and polish or make and analyze at the same time. If you do, the editor stops the creator. While you invent, don’t select. While you sketch, don’t inspect. While you write the first draft, don’t reflect. At the start, the creator mind Continue reading
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Resonant Thoughts: Brian Eno and Bette A.’s “what art does: an unfinished theory” (2024)
“In art we research our feelings. Artists are feelings merchants–a piece of art is something designed to trigger feelings.” “Through art, you can investigate the kind of feelings you want to have, and where to get them. Art gives us the chance to answer the question: What is it that I really like?” “The things Continue reading
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Resonant Thoughts: Toby Manning’s “Mixing Pop and Politics: A Marxist History of Popular Music” (2024)
“What’s audible in millennial-angst music isn’t piety but a profound sense of loss: not of something remembered but, in this retro, YouTube, internet meme era, something re-remembered” (518). “The centrality of sampling and quotation in contemporary music, alongside the perennial accessibility and audibility of music’s entire back catalogue, means the past is always alive in Continue reading
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Resonant Thoughts: Benjamin Swett’s “The Picture Not Taken: On Life and Photography” (2024)
“I keep coming back to Cartier-Bresson and his paradoxical ethos of a technical prowess that cares not for technique. ‘People think far too much about technique,’ he says in one of his famous aphorisms, “and not enough about seeing.’” “Consider what happens when you take a picture—I mean, what is going on inside you, the Continue reading
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Resonant Thoughts: Timothy Snyder’s “On Tyranny” (2017)
“It is your ability to discern facts that makes you an individual, and our collective trust in common knowledge that makes us a society. The individual who investigates is also the citizen who builds. The leader who dislikes the investigators is a potential tyrant.” “Since in the age of the internet we are all publishers, Continue reading
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Resonant Thoughts: Michael Crawley’s “To The Limit: The Meaning of Endurance from Mexico to the Himalayas” (2024)
“You have to be able to feel where the edge is in particular training sessions, to have a sense of pace from the catch of your breath and the weight of your legs, and you have to be able to be attentive to the background fatigue that is the constant companion of any athlete.” “‘You Continue reading
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Resonant Thoughts: Annie Dillard’s “Teaching a Stone to Talk” (1981)
“At a certain point you say to the woods, to the sea, to the mountains, the world, Now I am ready. Now I will stop and be wholly attentive. You empty yourself and wait, listening. After a time you hear it: there is nothing there. There is nothing but those things only, those created objects, Continue reading
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Resonant Thoughts: Dave Hickey’s “The Invisible Dragon” (1993/2023) and “Perfect Wave” (2017)
“If images don’t do anything in this culture, if they haven’t done anything, then why are we sitting here in the twilight of the twentieth century talking about them? And if they only do things after we have talked about them, then they aren’t doing things, we are. Therefore, if our criticism aspires to anything Continue reading
