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brettworks

thinking through music


  • January 7, 2022

    Cadences 7

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    cadences, voice
  • January 6, 2022

    Resonant Thoughts: Nassim Nicholas Taleb’s “The Bed of Procrustes” (2010)

    “Knowledge is subtractive, not additive—what we subtract (reduction by what does not work, what not to do), not what we add (what to do).” “By setting oneself totally free of constraints, free of thoughts, free of this debilitating activity called work, free of efforts, elements hidden in the texture of reality start staring at you;… Continue reading

    Resonant Thoughts
  • January 5, 2022

    Brett’s Sound Picks: Loraine James’ “On the Lake Outside” (2021)

    (Brett’s Sound Picks 2021)(Brett’s Sound Picks 2022) Continue reading

    Brett’s Sound Picks
  • January 4, 2022

    Art About Music: Photo Of The N.S.G.W. Drum Corps (wearing flu masks) Celebrating The End Of WWI In Sebastopol, CA (1918)

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    art about music
  • January 3, 2022

    9 Parts

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    Uncategorized
  • December 31, 2021

    Effects Are All About Affect

    “I’ve found that quite a good trick is that if you feel like you’ve put too much reverb on something just add more.”  – Clark When I’m composing, I’m playing or drumming on a keyboard controller, but mostly I’m looking at a screen and inhabiting the virtual world of DAW software, listening, trying to finesse whatever… Continue reading

    affect, effects, phenomenology
  • December 30, 2021

    Resonant Thoughts: Alan Belkin On Avoiding Squareness

    “Avoiding Squareness […] contrapuntal thinking encourages overlap. The habit of always keeping interest alive in at least one part, even when another cadences, makes for more interesting phrasing, and mitigates squareness of construction.” – Alan Belkin, Principles of Counterpoint Continue reading

    musical squareness
  • December 29, 2021

    Art About Music: Eduard Charlemont’s “A Drink for the Drummer”(1889)

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    art about music
  • December 28, 2021

    Brett’s Sound Picks: Giacomo Antonio Perti (1661-1756): “Fugue for 2 Voices”

    (The Playlist.) Continue reading

    Brett’s Sound Picks
  • December 27, 2021

    Cadences 11

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    piano music, sketch
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • 2 September
  • Curating the Week: Juggling, Music Teachers, Writing, Tacit Knowledge in Research
  • 8000 Studies
  • 7 August
  • Interior Jumble (Rhythm Remodel)

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