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thinking through music


  • July 21, 2020

    Resonant Thoughts: Francois J. Bonnet’s “The Music To Come” (2020)

    Advent of the Musical “The challenge of any musical creation must be to invent the conditions of possibility for an appearing of the musical, but nothing else, because that is all that lies within its power. You don’t create music; you create environments condusive to the advent of music” (30). On Music “Books about music… Continue reading

    Resonant Thoughts, Uncategorized
  • July 20, 2020

    Piano and Metals 2

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    Electronic music, finger cymbals, kalimba, piano music, Uncategorized
  • July 15, 2020

    Brett’s Sound Picks: Christine Ott’s “Comma” (2020)

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    Brett’s Sound Picks
  • July 14, 2020

    Notes On Blogging

    Blogging is part of the social internet, as opposed to the walled-off apps of social media (Facebook, Twitter, Instagram…). You own your blog web address and its content instead of renting space from companies intent on keeping you inside their confines as they sell data about you.  Blogging is free of the Liking economy, but… Continue reading

    blogging, Uncategorized
  • July 13, 2020

    Piano and Metals

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    sketch method, Uncategorized
  • July 10, 2020

    Drone and Bell

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    bells, drone, Uncategorized
  • July 9, 2020

    Resonant Thoughts: Brian Eno On Moire Patterns In Music

    “A Moiré pattern is an interference pattern produced by overlaying similar but slightly offset templates. A simple example is obtained by taking two identical ruled transparent sheets of plastic, superposing them, and rotating one about its center as the other is held fixed.” – wolfram.com “Now a moire pattern… is actually a very good analog… Continue reading

    generative music, moire patterns, Resonant Thoughts, Uncategorized
  • July 8, 2020

    No. 54 (gong)

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    design, Electronic music, sketch method, Uncategorized
  • July 7, 2020

    Art About Music: Simeon Solomon’s “A prelude by Bach” (1868)

    This photo was submitted by my friend (and brettworks blog reader) Talia. She notes: “Simeon Solomon’s life and work seem pretty interesting. I’m not quite into Victorian art, but this gathering reminds me of playing easy Bach pieces for family members. And maybe it looks even more interesting in the age of social distancing.” Continue reading

    art about music, Uncategorized
  • July 6, 2020

    Two Lines

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    echo and delay, Electronic music, sketch, sketch method, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Curating The Week: AI and Human Touch, AI and Writing, AI and Taste
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  • Pianola
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