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brettworks

thinking through music


  • April 6, 2020

    When One Music Recalls Another

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    musical genealogies, Uncategorized
  • April 3, 2020

    Aphorism Triptych

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    aphorism triptych, Uncategorized
  • April 2, 2020

    Resonant Thoughts: Brian Eno On Sequencing (1995)

    “When I make loops on a sequencer, I always try to play them all the way through, so I play the whole part, then I listen to it, and quite often I find a long section that I like. Loop that, cut it up so that the loop doesn’t recur regularly. The idea of always… Continue reading

    loops, sequencing, Uncategorized, unlocked music
  • April 1, 2020

    Art About Music: Nainsukh of Guler’s “Trumpeters” (1735-1740)

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    art about music, Uncategorized
  • March 31, 2020

    Brett’s Sound Picks: Arovane’s “Endolp” (2020)

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    Brett’s Sound Picks
  • March 30, 2020

    Ear Reset

    A few weeks into the quarantine, with barely a car on the road or people on the sidewalks, I’m hearing my neighborhood’s soundscape more acutely. Where I used to spend a lot of time blocking out the city’s sounds (with earplugs, music, or avoidance), now its decibels have fallen back down to nature’s mix level. … Continue reading

    listening, listening acuity, Uncategorized
  • March 27, 2020

    Resonant Thoughts: Michael Polanyi’s “Personal Knowledge” (1958)

    “I shall take as my clue for this investigation the well-known fact that the aim of a skillful performance is achieved by the observance of a set of rules which are not known as such to the person following them.” “Rules of art can be useful, but they do not determine the practice of an… Continue reading

    intuition, tacit knowledge, Uncategorized
  • March 26, 2020

    Resonant Thoughts: Einar Torfi Einarsson’s “Music Is Not” (2019)

    “[M]usic is not so fast that adequate control of movements is lost”[8], “music is not art”[9], “music is not appropriate for worship”[10], “music is not always entirely clear”[11], “music is not so likely to use the voice as a conveyor of subjective experience”[12], “music is not solely a twentieth-century phenomenon”[13]… https://www.lhi.is/tolublad-4-music-not Continue reading

    music discourse, Uncategorized
  • March 25, 2020

    Gino Severini’s “The Accordian Player” (1919)

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    art about music, Uncategorized
  • March 24, 2020

    Brett’s Sound Picks: Víkingur Ólafsson And Jean-Philippe Rameau’s “The Arts and the Hours” (2020)

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    Brett’s Sound Picks, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Drumming Diaries: Energies of Performance
  • Brett’s Sound Picks: øjeRum’s “I (2026 remaster)”
  • In The Works: 28 April
  • Resonant Thoughts: John Berger’s “Permanent Red: Essays in Seeing” (1960/2025)
  • Stolen Moments Are Open-Ended

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