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brettworks

thinking through music


  • November 6, 2019

    Brett’s Sound Picks: Skee Mask’s “Sphere In Total” (2019)

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    Brett’s Sound Picks, Uncategorized
  • November 5, 2019

    Swami Haridasa with Tansen and Akbar at Vrindavana (1700-1760)

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    art about music, Indian music, Uncategorized
  • November 4, 2019

    On Music’s Right This Moment’s Dynamism With No End

    One of the wonders of music is how it holds our attention despite being built upon moments that keep disappearing into a past of its own making. As the adventurous musicologist David Burrows (who was one of my teachers) observed: “music takes place in its own almost total sonic absence” (“A Dynamical Systems Perspective On… Continue reading

    dynamism, Uncategorized
  • October 31, 2019

    Resonant Thoughts: Stefan Goldmann’s “Presets” (2015)

      “I think sidechaining is a perfect mirror image of what’s going on in society right now. It’s an analogy to a society of market criers. A struggle for survival of sounds… [Sidechaining] introduces a new elements into music because it’s a very efficient way of eliminating the need to arrange elements to interact meaningfully.… Continue reading

    presets, reading finds, Resonant Thoughts, Uncategorized
  • October 30, 2019

    Brett’s Sound Picks: Hammock’s “Circular As Our Way” (2019)

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    Brett’s Sound Picks, Uncategorized
  • October 29, 2019

    Art About Music: Matthew Le Nain’s “Musicians” (1677)

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    art about music, Uncategorized
  • October 28, 2019

    Trompe-L’Oreille: Notes On An Enchanting Mix

    Hieronymus Bosch, The Conjurer (c. 1496 and 1525). An enchanting mix is a sleight of the producer’s hand–a kind of conjuring trick–insofar that it creates the impression that you’re hearing more than you’re hearing, or that somehow the music extends beyond what you’re able to hear—as if it’s fooling your ears. But by what means… Continue reading

    mixing, perception, Uncategorized
  • October 25, 2019

    Curating The Week: Being A Polymath, The Senses, A Roadtrip

    • An essay about being a polymath. “The real master has no tools at all, only a limitless capacity to improvise with what is to hand. The more fields of knowledge you cover, the greater your resources for improvisation.” • A discussion about the human senses. “It’s always the combination of many experiences that are… Continue reading

    Curating The Week, Uncategorized
  • October 24, 2019

    Wont’s And Wills: Notes On Composing

    You will have to chose right now, right this very moment.  You won’t go back. You won’t judge it positively or negatively. You won’t wonder, What if I had done something else? You won’t worry how it relates to anything. You won’t worry that it sounds too simple or too complicated. You won’t speculate on… Continue reading

    composing, composition, Uncategorized
  • October 23, 2019

    Brett’s Sound Picks: Penguin Cafe’s “Adelie” (2019)

    (Bass solo!) Continue reading

    Brett’s Sound Picks, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Drumming Diaries: Energies of Performance
  • Brett’s Sound Picks: øjeRum’s “I (2026 remaster)”
  • In The Works: 28 April
  • Resonant Thoughts: John Berger’s “Permanent Red: Essays in Seeing” (1960/2025)
  • Stolen Moments Are Open-Ended

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