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thinking through music


  • December 28, 2014

    Notes On Paul Morley’s “Words and Music”

    “Music is merely a form of guesswork about consciousness.” “Music is careful attention paid to ongoing experience.” – Paul Morley, Words and Music (16, 134). It was with much delight that a few weeks after finishing Bob Stanley’s Yeah! Yeah! Yeah! I read Paul Morley’s exhaustive, masterfully strange, and revelatory history of popular music, Words… Continue reading

    book reviews, classical music, popular music, writing
    Paul Morley, Words and Music
  • December 17, 2014

    Singing Bowl Music II

    The music is available here. Continue reading

    singing bowl music
  • December 16, 2014

    Curating The Week: Music-Related Stuff On The Internet

    1. An interview with composer Phil Kline on “Unsilent Night,” his open-ended 1992 piece for mobile boomboxes (and now, iPhones). “What was most pleasantly surprising, when we hit ‘play’, and I heard the sound, was that it combined with the fabric and the soundscape of the city. It was like an elemental DNA connection. They… Continue reading

    Curating The Week
    classical music, Paul Morley, Phil Kline, Unsilent Night
  • December 11, 2014

    On Ventrilo-Reading: How We Read Our Own Writing To See What We’re Trying To Say

    Something I have been thinking about off and on for a while now (a few years?) is the question of how we read our own writing, especially during the editing stages. What sensibility kicks in when we evaluate and revise the pieces we’ve been working on in search of ways to make them better? In… Continue reading

    musings, ventrilo-reading, writing
    ventrilo-reading
  • December 9, 2014

    Alan Watts On Deep Listening

    In this excerpt (from the book Still The Mind and as heard in the animated video “Life Has A Voice” below), the philosopher Alan Watts (1915-1973) makes connections between deep listening, attention, and lack of self-consciousness: “The first thing we have to understand is what I call deep listening. And very few people ever really listen.… Continue reading

    listening, mindfulness
    listening
  • November 26, 2014

    Notes On Bob Stanley’s “Yeah! Yeah! Yeah!”

    Imagine you’re a bird flying high above a vast landscape. Now imagine that the landscape–forest, mountains, rivers, roaming animals, small towns–is the history of popular music stretched out below you. You’re not flying alone. Next to you is another bird named Bob. Bob knows this territory well, pointing out the important sights below and explaining… Continue reading

    book reviews
    Bob Stanley
  • November 24, 2014

    Curating The Week: Music-Related Stuff On The Internet

    1. An article about Spotify. “We’re not in the music space, we’re in the moment space.” 2. An article about field recording. “The idea of objective recording in the field, thankfully now problematised and rejected, still lingers though like a spectre haunting the ways many listeners consider recordings.” 3. An article about how we read in the digital age.… Continue reading

    Curating The Week
  • November 18, 2014

    Linking Two Modalities: Lewis Lapham On The Essay And A Roy Haynes Drum Solo

    In his introduction to a piece about artists and scientists in their 80s (including drummer Roy Hayes, age 89) in The New York Times, “Old Masters at the Top of Their Game,” former Harper’s editor Lewis Lapham explains how essay writing is a way of knowing: “The essay proceeds from the question ‘What do I… Continue reading

    Linking Two Modalities
    essay writing, Lewis Lapham, Roy Haynes
  • November 14, 2014

    Brett’s Sound Picks: Glenn Kotche’s “Anomaly: Mvt. II”

    There’s a wonderful rhythmic insistence to this music–a rolling 6-beat feel with shifting accents that blends the sounds of string quartet (Kronos) with a multi-percussion drumset part. In its positive energy it evokes the homespun of Charles Schultz’s Peanuts mixed with the shimmer of Indonesian gamelan… Continue reading

    Brett’s Sound Picks
    Charles Schultz, positive energy, string quartet
  • November 11, 2014

    On Web Searches That Brought You Here

    What is the relationship between music and discipline? A great question! While it’s a cliché that in music, practice makes perfect, and that steady, mindful practice requires discipline, perhaps less remarked upon is how the act of playing music is itself a form of discipline. Making music disciplines one’s mind to focus on the sounds… Continue reading

    Web Searches That Brought You Here
    Wallace Stevens
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Same Walk, Different Music: Actress, Suzanne Ciani, “Concrète Waves London B2” (2026).
  • Brett’s Sound Picks: Actress and Suzanne Ciani’s “Concrète Waves Barcelona B4” (2026)
  • The Real, The Virtual, and Thinking Compositionally
  • No. 6
  • Art About Music: “When Is That Young Man Going Home?” (1931)

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