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thinking through music


  • September 28, 2011

    On Blowing Zen: Finding An Authentic Life

    “Listening is the gateway to liberation.” – On Blowing Zen In his book Blowing Zen: Finding An Authentic Life (HJ Kramer, 2000), Englishman Ray Brooks tells a story about discovering the shakuhachi flute while living abroad in Japan with his wife, finding a series of shakuhachi master teachers with whom to study, and finally, through dedicated practice and direction, becoming… Continue reading

    ethnography, music and discipline
  • September 22, 2011

    Sound Advice: Frank Gehry Speaks

    “Your best work is you’re expressing yourself. Now, you may not be the best at it, but when you do it you’re the only expert in it. When I teach students in architecture I try to get them to understand that they have a signature– their body, their hand-eye coordination, their biological make-up.” Continue reading

    aesthetics
  • September 21, 2011

    On Music and Discipline: Anna Goldsworthy’s Piano Lessons

    Anna Goldsworthy’s memoir Piano Lessons (2010) is a coming of age story about a girl growing up and learning to play the piano in Australia.  From age nine to her late teens, Goldsworthy’s teacher was Russian émigré and master pianist Eleonora Sivan.  Over the years, Sivan guides her pupil through increasingly advanced piano technique and the great keyboard literature of Chopin, Bach, Mozart,… Continue reading

    music and discipline
  • September 18, 2011

    On Sounds And Silence: Travels With Manfred Eicher

    Last week I attended the New York City premiere of Sounds And Silence, a documentary about the work of ECM record label founder and producer Manfred Eicher.  ECM is known for its exquisitely recorded releases by modern composers, jazz improvisers, folk and world music artists.  There’s a lot of natural resonance and space on ECM releases, partly due to the… Continue reading

    music documentaries
  • September 15, 2011

    Letting Randoms In: On The Music Of Burial

    “I don’t really go on the Internet, it’s like a Ouija board, it’s like letting someone into your head, behind your eyes.  It lets randoms in.” – Burial Although I’m clearly a few years behind the curve with this particular bit of music news, I’ve been thinking about the music of acclaimed London-based producer Burial lately and what… Continue reading

    aesthetics, Electronic music, musical time
  • September 13, 2011

    Ventrilo-Dialogue: A Conversation With A Composer

    Continue reading

    composition, ventrilo-dialogue
  • September 9, 2011

    On Simon Reynold’s Retromania

    Recently I spun through the New York City FM pop radio dial and in the space of a few minutes heard a slew of old music from the past few decades, including The Animals’ version of “House Of The Rising Sun”, Brian Adam’s “Run To You”, Prince’s “Raspberry Beret”, AC-DC’s “Back In Black”, and Michael Jackson’s “Billy Jean”… Continue reading

    aesthetics, music performance, nostalgia
  • September 5, 2011

    On Boredom, Music and Time

    One of the symmetries between the psychological state of boredom and the experience of listening to music is that they both shape how we feel time.  In his book Boredom (Yale University Press, 2010), Peter Toohey quotes the poet Joseph Brodsky speaking of boredom as representing “pure, undiluted time in all its repetitive, redundant, monotonous splendor” (186).  Elsewhere, Toohey also… Continue reading

    aesthetics, musical time, repetition
  • August 27, 2011

    Ventrilo-Dialogue: A Conversation With Autechre

    Autechre, “Dropp” (from EP7) Autechre, “Overand” (from Tri Repetae) Autechre, “Simmm” (from Quaristice) Continue reading

    ventrilo-dialogue
  • August 24, 2011

    On Embracing The (Repetitious) Mundane: Two Works By Jean-Philippe Toussaint

    I recently discovered some short novels by French novelist Jean-Philippe Toussaint. In his books Monsieur (1986) and Television (1997), Toussaint explores with whimsical yet clinical detail the dynamics of repetition–along with the virtues of doing very little to get by in life so that its textures and contours are revealed to us. In Monsieur, our otherwise unnamed protagonist… Continue reading

    humdrum, repetition, time
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Resonant Thoughts: Riccardo Falcinelli’s “Chromorama: How Colour Has Changed Our Way of Seeing” (2025)
  • Antiphons
  • Database: Tetsu Inoue On Unexpected Rhythms And Avoiding Obvious Sounding Beats
  • Same Walk, Different Music: Actress, Suzanne Ciani, “Concrète Waves London B2” (2026).
  • Brett’s Sound Picks: Actress and Suzanne Ciani’s “Concrète Waves Barcelona B4” (2026)

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