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brettworks

thinking through music


  • August 23, 2023

    Brett’s Sound Picks: Sarah Davachi’s “Alms Vert” (2023)

    2023 playlist Continue reading

    Brett’s Sound Picks
  • August 21, 2023

    Tuned 9

    Continue reading

    bells
  • August 17, 2023

    Three Views: Chasing The Same Clouds On A Run (2023)

    Continue reading

    running, three views
  • August 15, 2023

    Steadiness

    Continue reading

    steadiness
  • August 14, 2023

    Keywords: And Then…

    And Then… is a technique of stepwise progression, a way of moving from, and building upon, where you are to where you’ll be next. It requires only what you currently have to get going—a sound, a few chords, a tempo. This is flaneur music production—wandering by ear towards the interesting sounds, moving in a direction Continue reading

    keywords
  • August 10, 2023

    Brett’s Sound Picks: Barker’s “Birmingham Screwdriver” (2023)

    2023 Continue reading

    Brett’s Sound Picks
  • August 9, 2023

    Resonant Thoughts: Matthew Frederick’s “101 Things I Learned in Architecture School” (2007)

    “To create a dynamic, balanced composition in either 2D or 3D, make a strong initial design decision that is dynamic and unbalanced; then follow it with a secondary dynamic move that counterpoints the first move. Think of a counterpoint as a sort of aesthetic rebuttal: it is similar to but not quite the same as Continue reading

    Resonant Thoughts
  • August 8, 2023

    SEK 2

    Continue reading

    Uncategorized
  • August 7, 2023

    Notes On Improvising Solo Piano

    (Photo: Amir Doreh) While I’m not a particularly skilled piano player, I regularly improvise on the instrument and record the results. Improvising piano is different from producing music, mainly because there’s nowhere to hide–it’s just you at the instrument. There’s one sound, not eight or eighteen. Everything happens in the real time of the performance. Continue reading

    Uncategorized
  • August 4, 2023

    Solitude Of Horizons

    Spotify, Apple Music Continue reading

    Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Dave Stewart On Stereo Picture, Frequency Differences, And Demos
  • Brett’s Sound Picks: Musicentrydelete’s “Depth” (2025)
  • When Less Leads To More
  • Omni 98 bpm
  • Drumming Diaries: Grip

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