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brettworks

thinking through music


  • August 15, 2022

    Many Returns

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    Uncategorized
  • August 11, 2022

    Brett’s Sound Picks: Bing and Ruth’s “Nearer (solo piano)” (2022)

    2022 playlist Continue reading

    Brett’s Sound Picks
  • August 10, 2022

    Resonant Thoughts: James Bridle’s “Ways Of Being” (2022)

    “The world is not like a computer. Computers – like us, like plants and animals, like clouds and seas – are like the world. Some more than others, some better attuned to its processes – and many not.” “As John Cage discovered through his use of the I Ching, a complex dance of chance-driven and… Continue reading

    Resonant Thoughts
  • August 9, 2022

    Augmented

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    sketch
  • August 8, 2022

    Consequences Of Sound

    “I think sound is a very interesting phenomenon. Why people are so influenced by music: they didn’t know how strong the music influences us for good or for bad. You can kill people with sound. And if you can kill, maybe there is also sound that is the opposite of killing. And the distance between… Continue reading

    consequences of sound
  • August 4, 2022

    Intuitive Practice And Conventions Of Practice

    While running recently I came across some construction spray painted markings on the road that got me thinking about the relationship between intuitions and conventions in artistic practice. I stopped at the edge of the road—I often look for reasons to interrupt a run—and studied the fluorescent markings. I saw a curved line with arrows on… Continue reading

    music encounters, music production
  • August 3, 2022

    Brett’s Sound Picks: Nils Frahm’s “Lemon Day” (2022)

    Playlist 2022 Continue reading

    Brett’s Sound Picks
  • August 2, 2022

    Resonant Thoughts: Nicholas Worrall On Unmasked Sounds

    “Having things so that they’re not in any way masked, so that they’re really crisp, clear images in sound. So that you can always identify the source of the sound. It’s like a really vivid version of the thing that you’re hearing.” – Nicholas Worrall  Continue reading

    Resonant Thoughts
  • August 1, 2022

    Dronology

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    drone
  • July 29, 2022

    Flights

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    Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Art About Music: Google’s Lyria 3 (2026)
  • Studio Observations: Listening To Improvisation
  • Database: Shane Parish on Revoicing and the Game Of Subtraction
  • Jup-8000, No. 1
  • Curating The Week: Blogging, Music and Truth-Telling, Memory

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