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brettworks

thinking through music


  • March 21, 2022

    Through Line

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    Uncategorized
  • March 18, 2022

    Play—Or Doing Ever New Things With The Sounds You Already Have

    Over the past few weeks I’ve been listening to Huerco S’s recording Plonk. The music finds many ways to hold a listener’s attention, and its sound-flow suggests someone playing with the artifacts of sounds, taking them apart, and arranging them into always new constellations. In other words, it’s not so much Huerco’s sounds that hold… Continue reading

    kaleidoscope thinking, play
  • March 16, 2022

    Brett’s Sound Picks: Laura Cannell’s “The Girl Who Became an Owl” (2022)

    (Playlist 2022.) Continue reading

    Brett’s Sound Picks
  • March 15, 2022

    Art About Music: AppLe’s “Air Pods Max – Journey into Sound” (2020)

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    art about music
  • March 14, 2022

    Slowdown

    Listen on Spotify and Apple Music Continue reading

    new music, Uncategorized
  • March 11, 2022

    As A Single Flowing Gesture

    (Ensō  calligraphy by Kanjuro Shibata) “Too much thinking.” – Kanjuro Shibata, master bowmaker and archery teacher  There is no best way of doing music production, but I find that when I approach a piece in terms of what might be called a single gesture I have the best chance of turning it into something that works.… Continue reading

    ensō , music production, workflow
  • March 10, 2022

    An Interview

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    interview
  • March 9, 2022

    Brett’s Sound Picks: Ben Lukas Boysen’s “Lux” (2022)

    (2022 Playlist.) Continue reading

    Brett’s Sound Picks
  • March 8, 2022

    Art About Music: Frans Hals’ “Two singing boys with a lute and a music book” (1625)

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    art about music
  • March 7, 2022

    O Softly

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    Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Resonant Thoughts: John Ashbery’s “A Wave” (1984)
  • Art About Music: Google’s Lyria 3 (2026)
  • Studio Observations: Listening To Improvisation
  • Database: Shane Parish on Revoicing and the Game Of Subtraction
  • Jup-8000, No. 1

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