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brettworks

thinking through music


  • March 3, 2022

    One Good Listener

    Crash! Think of music like an encounter with two halves crashing together: on one side a set of sounds working as a composite, and on the other side, one good listener taking it all in. Like the case of a tree falling in the forest with no one around to notice it, without one good… Continue reading

    listening, music encounters
  • March 2, 2022

    Brett’s Sound Picks: Rokia Koné & Jacknife Lee’s “Bi Ye Tulonba Ye” (2022)

    (2022 Playlist.) Continue reading

    Brett’s Sound Picks, Uncategorized
  • March 1, 2022

    Art About Music: Philip Evergood’s “Woman at the Piano” (1955)

    Continue reading

    art about music
  • February 28, 2022

    (Untitled)

    Continue reading

    Uncategorized
  • February 25, 2022

    Resonant Thoughts: Paul Graham On Putting Ideas Into Words

    “If writing down your ideas always makes them more precise and more complete, then no one who hasn’t written about a topic has fully formed ideas about it. And someone who never writes has no fully formed ideas about anything nontrivial.” Paul Graham, Putting Ideas Into Words Continue reading

    writing
  • February 24, 2022

    Brett’s Sound PIcks: Abul Mogard’s “Along The River” (2022)

    (2022 Playlist.) Continue reading

    Brett’s Sound Picks
  • February 23, 2022

    Art About Music: Bernardo Strozzi’s “The Concert” (c. 1635)

    Continue reading

    art about music
  • February 22, 2022

    Windscape

    Continue reading

    pruning, pulseology, sketch
  • February 18, 2022

    Working In Abundance, Working Towards Thriving 

    Every so often while making music it occurs to me how I’m working in, working against, and working with, abundance. The abundance is the number of sounds known and unknown in my old 2014 computer. Many of these sounds I haven’t yet encountered, some of these sounds I’ve encountered but forgotten where they reside, and… Continue reading

    abundance, thriving, Uncategorized
  • February 17, 2022

    Resonant Thoughts: Dave Eggers’ “The Every” (2021)

    “Because their devices dinged them a few times a minute, their minds were reshaped to the jittery, needy psyche that ruled the digital realm. In a few short decades they’d transformed proud and free animals—humans—and made them into endlessly acquiescent dots on screens. How many people live in a state of aggressive truth-seeking?” Dave Eggers,… Continue reading

    Resonant Thoughts
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Resonant Thoughts: John Ashbery’s “A Wave” (1984)
  • Art About Music: Google’s Lyria 3 (2026)
  • Studio Observations: Listening To Improvisation
  • Database: Shane Parish on Revoicing and the Game Of Subtraction
  • Jup-8000, No. 1

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