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brettworks

thinking through music


  • February 1, 2022

    Art About Music: Nikiforos Lytras’s “Carols” (1872)

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    art about music
  • January 31, 2022

    Cadences 18

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    Uncategorized
  • January 28, 2022

    After Ambient

    “If you listen to a Beyoncé record through a wall it’s not exhausting, it’s warm.” Brian Eno If you make electronic music and are into generalizing, you know that there are two broad sub-categories of style into which your music might be placed. There’s dance music, which is usually music with some kind of beat.… Continue reading

    ambient music
  • January 27, 2022

    Art About Music: Jacob Ochtervelt’s “Street Musicians at the Door” (1665)

    (The musicians are playing violin and hurdy-gurdy.) Continue reading

    art about music, music and social class
  • January 26, 2022

    Cadences 12

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    play
  • January 25, 2022

    Music Aphorisms

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    music aphorisms, Uncategorized
  • January 24, 2022

    Brett’s Sound Picks: Biosphere’s “Shruthi-12” (2022)

    (2022 Playlist.) Continue reading

    Brett’s Sound Picks
  • January 21, 2022

    Shared Time

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    easy listening music, pulseology
  • January 20, 2022

    Cadences 13

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    accidental loops, anti-boredom, trial and error
  • January 18, 2022

    Cadences 9

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    accidental epistemologies, anti-boredom
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Resonant Thoughts: John Ashbery’s “A Wave” (1984)
  • Art About Music: Google’s Lyria 3 (2026)
  • Studio Observations: Listening To Improvisation
  • Database: Shane Parish on Revoicing and the Game Of Subtraction
  • Jup-8000, No. 1

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